Seher Vakti - Música
Seher Vakti by Özlem Taner
Özlem Taner
Biografia do Artista para Özlem Taner
Özlem Taner Is A Singer Steeped In The Folk Song Of Turkey In Particular The Traditions Of Her Native Gaziantep. This CD Which Has Been Some Years In The Making Is Her First.
These Twelve Pieces Are All Either Traditional Or Composed By Traditional Artists Such As Muhlis Akarsu And Asik Mahzuni. This Led Me To Expect A Rather Homogenous Production But In Fact This Is The Most Diverse Of CDs As If Taner Had Set Herself The Challenge Of Devising The Most Imaginative And Unexpected Interpretations Of The Material. The Opening A Cappella Section Of Seher Inende And The Saz-Accompanied Final Piece Sunam Demonstrate Taner’s Türkü Credentials And Bookend The CD But I Suspect It Is Those Arrangements That Most Defy Expectation That Will Guarantee The CD’s Success. I Was Especially Impressed By The Electric Guitar Of Sunay Özgur Who Eschews The Jazzy Twiddlyness Of Much Turkish Guitar Work To Display Instead A Grounding In The Best Rock Traditions Of Elegant Harmonic Simplicity. Bu Mezarda Bir Garip Var Is Transformed By This Into A Gentle Rock Ballad While Ezo Gelin Has Evanescence-Like Moments. Like Rock Turkish Folk Music Is People’s Music In Every Sense And It Is Absolutely Fitting To Find Elements Of Heavy Rock Rock ‘n’ Roll And Country In This Context. Exceptions Like Paula Darwish And Her Country And Eastern Project Aside It Is Only Snobbery That Has Prevented More Experimentation In This Direction. There Are Some Inevitable Points Of Comparison With Aynur In One Or Two Of The Arrangements But Any Suspicions That Taner Is Being Promoted As A Turkmen Version Of The Kurdish Aynur Can Be Laid To Rest – Taner’s Singing And Approach To Music Are Very Different And These Two Artists Are Not In Competition. Taner Has An Emotional Delivery Whose Strength Is In Total Confidence And Control Within A Relatively Narrow Range And This And The Selection Of Material Are The Unifying Factors Here. Her Aim Has Been To Discover New And Universal Resonance In Turkish Traditional Song Whilst Affirming Its Identity As Folk Music And In This She Has Succeeded. Www.Kalan.Com Chris Williams Http //www.Frootsmag.Com
50 Faixas semelhantes:
Yasemin Göksu - Seher Oldu Nurettin Rençber - Uzakta Nurettin Rençber - Min-El Aşk Işın Karaca - Kalbimin Sokağı Çelik - Elveda Diyemem Şükriye Tutkun - Arda Boylari Yasemin Göksu - Çıksam Issız Dağlar Kubat - Yas Sabahat Akkiraz - Değme Felek Erdal Erzincan - Nem Kaldi Sabahat Akkiraz - Semah Birsen Tezer - Aşk Bu Değil Bendeniz - Kuşlara Sordum Çelik - Hercai Zuhal Olcay - Canım Senile Olmak İstiyor Bendeniz - Neler Olacak Aşık Veysel - Uzun İnce Bir Yoldayım Kardeş Türküler - Sökün Ayı / Aşk Beni Kızılırmak - Güneşin Olsun Mazlum Çimen - Başımın Belası Kardeş Türküler - Evvelim Sen Oldun Kızılırmak - İşte Gidiyorum Çeşm-I Siyahım Muhlis Akarsu - Gönlüm Hoş Değil Birsen Tezer - Arı Maya Leman Sam - Herneyse Ayşegül Aldinç - Beni Hatırla Erkan Oğur - Cemalin Nurun Işın Karaca - Aynı Cemin Bülbülüyüm Nükhet Duru - Ben Sana Vurgunum Cengiz Onural - Yusufu Kaybettim, Pt. 2 Zuhal Olcay - Ankara'da Aşık Olmak Arif Sağ - Mavilim Servet Kocakaya - Keke Musa Eroğlu - Halil İbrahim Düş Sokağı Sakinleri - Hüzün Kovan Kuşu Doğan Canku - Gecelerim Zeynep Dizdar - Vazgeç Gönül Leman Sam - Aşkımdan Vazgeçme Emel Sayın - Bahari Bekleyen Cengiz Özkan - Beyaz Geyme Toz Olur Cengiz Özkan - Bahcalarda Zerdali Belkis Akkale - Adana Çiftetellisi Belkis Akkale - Bendeki Yaralar Feryal Öney - Sarı Yazma Feryal Öney - Aynali Körük Niyaz - Beni Beni Zerrin Özer - Su Karsi Yaylada Göç Katar Katar Yeni Türkü - Aşk Yeniden Şevval Sam - Ben Seni Sevduğumi Baba Zula - Dark Wind
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Biography - Özlem Taner
Özlem Taner Is A Singer Steeped In The Folk Song Of Turkey In Particular The Traditions Of Her Native Gaziantep. This CD Which Has Been Some Years In The Making Is Her First.
These Twelve Pieces Are All Either Traditional Or Composed By Traditional Artists Such As Muhlis Akarsu And Asik Mahzuni. This Led Me To Expect A Rather Homogenous Production But In Fact This Is The Most Diverse Of CDs As If Taner Had Set Herself The Challenge Of Devising The Most Imaginative And Unexpected Interpretations Of The Material. The Opening A Cappella Section Of Seher Inende And The Saz-Accompanied Final Piece Sunam Demonstrate Taner’s Türkü Credentials And Bookend The CD But I Suspect It Is Those Arrangements That Most Defy Expectation That Will Guarantee The CD’s Success. I Was Especially Impressed By The Electric Guitar Of Sunay Özgur Who Eschews The Jazzy Twiddlyness Of Much Turkish Guitar Work To Display Instead A Grounding In The Best Rock Traditions Of Elegant Harmonic Simplicity. Bu Mezarda Bir Garip Var Is Transformed By This Into A Gentle Rock Ballad While Ezo Gelin Has Evanescence-Like Moments. Like Rock Turkish Folk Music Is People’s Music In Every Sense And It Is Absolutely Fitting To Find Elements Of Heavy Rock Rock ‘n’ Roll And Country In This Context. Exceptions Like Paula Darwish And Her Country And Eastern Project Aside It Is Only Snobbery That Has Prevented More Experimentation In This Direction. There Are Some Inevitable Points Of Comparison With Aynur In One Or Two Of The Arrangements But Any Suspicions That Taner Is Being Promoted As A Turkmen Version Of The Kurdish Aynur Can Be Laid To Rest – Taner’s Singing And Approach To Music Are Very Different And These Two Artists Are Not In Competition. Taner Has An Emotional Delivery Whose Strength Is In Total Confidence And Control Within A Relatively Narrow Range And This And The Selection Of Material Are The Unifying Factors Here. Her Aim Has Been To Discover New And Universal Resonance In Turkish Traditional Song Whilst Affirming Its Identity As Folk Music And In This She Has Succeeded. Www.Kalan.Com Chris Williams Http //www.Frootsmag.Com read less
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These Twelve Pieces Are All Either Traditional Or Composed By Traditional Artists Such As Muhlis Akarsu And Asik Mahzuni. This Led Me To Expect A Rather Homogenous Production But In Fact This Is The Most Diverse Of CDs As If Taner Had Set Herself The Challenge Of Devising The Most Imaginative And Unexpected Interpretations Of The Material. The Opening A Cappella Section Of Seher Inende And The Saz-Accompanied Final Piece Sunam Demonstrate Taner’s Türkü Credentials And Bookend The CD But I Suspect It Is Those Arrangements That Most Defy Expectation That Will Guarantee The CD’s Success. I Was Especially Impressed By The Electric Guitar Of Sunay Özgur Who Eschews The Jazzy Twiddlyness Of Much Turkish Guitar Work To Display Instead A Grounding In The Best Rock Traditions Of Elegant Harmonic Simplicity. Bu Mezarda Bir Garip Var Is Transformed By This Into A Gentle Rock Ballad While Ezo Gelin Has Evanescence-Like Moments. Like Rock Turkish Folk Music Is People’s Music In Every Sense And It Is Absolutely Fitting To Find Elements Of Heavy Rock Rock ‘n’ Roll And Country In This Context. Exceptions Like Paula Darwish And Her Country And Eastern Project Aside It Is Only Snobbery That Has Prevented More Experimentation In This Direction. There Are Some Inevitable Points Of Comparison With Aynur In One Or Two Of The Arrangements But Any Suspicions That Taner Is Being Promoted As A Turkmen Version Of The Kurdish Aynur Can Be Laid To Rest – Taner’s Singing And Approach To Music Are Very Different And These Two Artists Are Not In Competition. Taner Has An Emotional Delivery Whose Strength Is In Total Confidence And Control Within A Relatively Narrow Range And This And The Selection Of Material Are The Unifying Factors Here. Her Aim Has Been To Discover New And Universal Resonance In Turkish Traditional Song Whilst Affirming Its Identity As Folk Music And In This She Has Succeeded. Www.Kalan.Com Chris Williams Http //www.Frootsmag.Com read less
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