Frogtoon Muziek

Fordlândia by Jóhann Jóhannsson

Biografie van de kunstenaar Jóhann Jóhannsson

Jóhann Gunnar Jóhannsson 19 September 1969 – 9 February 2018 Was An Icelandic Composer Who Wrote Music For A Wide Array Of Media Including Theatre Dance Television And Films. His Work Is Stylized By Its Blending Of Traditional Orchestration With Contemporary Electronic Elements. Jóhann Released Solo Albums From 2002 Onward. In 2016 He Signed With Deutsche Grammophon Through Which He Released His Last Solo Album Orphée. Some Of His Works In Film Include The Original Scores For Denis Villeneuve's Prisoners Sicario And Arrival And James Marsh's The Theory Of Everything. Jóhann Was Nominated For An Academy Award For Best Original Score For Both The Theory Of Everything And Sicario And Won A Golden Globe For Best Original Score For The Former. He Was A Music And Sound Consultant On Mother! Directed By Darren Aronofsky In 2017. His Scores For Mary Magdalene And Mandy Were Released Posthumously He Passed Away In Berlin Germany In 2018. Jóhann Was Born On 19 September 1969 In Reykjavík Iceland To Jóhann Gunnarsson And Edda Thorkelsdóttir. He Learned Piano And Trombone From Age 11 But Had Given Them Up By The Time He Went On To Study Languages And Literature At The University Of Iceland. Jóhann Started His Musical Career In The Late 1980s In The Proto-Shoegaze Influenced Band Daisy Hill Puppy Farm Who Released A Couple Of EPs Which Were Played By British DJ John Peel And Received A Fan Letter From Steve Albini. He Went On To Work As A Guitarist And Producer Playing In Icelandic Indie Rock Bands Like Olympia Unun And Ham. In 1999 Jóhann Co-Founded Kitchen Motors A Think Tank Art Organisation And Music Label That Encouraged Interdisciplinary Collaborations Between Artists From Punk Jazz Classical Metal And Electronic Music. His Own Sound Arose Out Of These Musical Experimentations.

Frogtoon Muziek - Nummerinformatie: Fordlândia

From Johann Johannsson's Website "I Recorded The Track With A 50 Piece String Orchestra In Prague After Recording It First With My Regular Band In Iceland In A Faster Version Similar To How We Play The Song Live. It Worked In Concert But Failed To Come Alive When Recorded So I Decided To Drastically Change It And Re-Arrange The Piece For A Large Orchestra. I Recorded Some Pipe Organ And The Low Frequency Guitars Towards The End In A Cavernous Church In Drammen Norway. The Ending Is A 5 Minute Long Continous Ritardando Quite Possibly The Longest One Ever On Record Should Anyone Care…"

50 Vergelijkbare nummers:

THUIS JÓHANN JÓHANNSSON
POPULAIR TRACKS MIXEN ALBUMS
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