Sparks - Muziek
Sparks by Beach House
Beach House
Biografie van de kunstenaar Beach House
Beach House Is A Dream Pop Group That Formed In 2004 In Baltimore Maryland United States. The Group Consists Of Victoria Legrand Vocals Organ And Alex Scally Guitar Keyboards . Legrand Is The Niece Of French Composer Michel Legrand. The Group Has Released Eight Albums Beach House 2006 Devotion 2008 Teen Dream 2010 Bloom 2012 Depression Cherry 2015 Thank Your Lucky Stars 2015 7 2018 And Once Twice Melody 2022 . Within A Year Of Formation The Group Charmed Indie Music Enthusiasts Across The Blogosphere With Their Languid Songcraft While The Eerie Warmth Of "Apple Orchard" Landed On Pitchfork's Infinite Mixtape MP3 Series In August 2006. Two Months Later Beach House Issued Their Eponymous Debut Album For Carpark. Fall Shows With Labelmates Over The Atlantic Were Also Scheduled. Victoria Can Also Be Heard On Frenemies' Birds In High School Album. She And Chris Freeland Created Harmonies On The Song "Waiting For The Ambulance". Victoria Can Also Be Heard On Grizzly Bear's 2009 Release Veckatimest And She Sings On "Slow Life" A Grizzly Bear Track Featured On The Official Soundtrack For Twilight New Moon. In September Of 2009 Sub Pop Records Announced That Beach House Had Signed And That A Follow Up Album To 2008's Devotion Teen Dream Would Be Released In Early 2010.
Frogtoon Muziek - Nummerinformatie: Sparks
Beach-House - Depression Cherry
7/1/15 “It’s Something New It’s Free I Think It’s Bold And I Think It Made Sense Immediately As The First Thing After Several Years {of} Not Having Any Music Out There So It Feels Really Good To Have This Song Be Free Now.” ~ Victoria SiriusXMU 7/1/15 “This Was One Of Two Or Three Songs That Felt Like It Was The Thing That Established The Structure For The Whole Rest Of The Album To Exist In.” ~ Alex SiriusXMU 7/1/15 “We Were Playing A Show In Bristol England And We Got This Looper For Our Sound Engineer He’s Been With Us For Like Seven Years Our Live Sound Engineer And We Run It To Victoria’s Lead Vocal. You Press A Button When You Want To Start Recording And Then You Press A Button When You Want The Loop To Start. We Were Just Doing Soundcheck And He Was Testing It Out And Making Sure Everything’s Working We Don’t Even Know What Victoria Was Singing We Don’t Even Know What Her Words Were But That Was The Loop That Got Made And He Just Started Playing It Really Loud Through The P.A. We Said ‘please Don’t Stop It ’ So We Held Up Our IPhones And That’s An IPhone Recording From Bristol. We Almost Always While Working On An Album Find A Keyboard At A Local Thrift Store And When We Were Recording Bloom We Found A Keyboard At An El Paso Thrift Store And The Keyboard You Hear In The Song Is That Keyboard. We Had That Chord Progression Of The Reedy Sound That Was The Initial Thing Mixed With That Beat. They Came From The Same Keyboard. That Beat Mixed With That Keyboard Sound Was Super Exciting To Us It Had This Energy We Loved. We Realized Just Messing Around With That Vocal Loop That It’s A Really Cool Thing To Play Different Chords Over So As You Change Chords The Looping Creates Different Harmonies With The Chords. {The Vocal Loop} Never Leaves It Just Changes Volume. The Chaos Is What Excited Us So Much I Remember When We First Stumbled Upon That Thing.” ~ Alex NPR 7/1/15 Is There Some Element In The Song That Led You To All The Other Elements In The Song? “That’s A Good Question Because They All Lead You To Some Other Part And When You Combine Things They Give You New Energies. The Music Existed For A Long Time Before The Voice Identity Became What It Is Now - Which Is Sparks The Loose Narrative Or Whatever You Choose To Hear In It - But It Grew From A Keyboard. It’s A Wild Myriad Chord Sound It Has Many Colors. When {Alex} First Came Up With That Guitar Part I Hadn’t Heard Anything Like That Before From {him} And It Filled Me With An Excitement And I Definitely Feel That In This Unresolve There’s This Sort Of Celebration In The Lack Of Resolve. It Feels To Me As A Music Lover - As A Person Who Enjoys How Music Makes Me Feel - That Feels True To Me In A Certain Way Not To Be Cheesy But That In Living We Don’t Know What’s Going To Happen And There Almost A Celebration Like A Rain Dance Or A Fire Dance Or Something And It Feels Very- The Chaos Is True. I Feel Like Having Heard The Song So Many Times That Guitar Always Makes Me Feel Like {that}. A Lot Of The Words Come From What The Music Is Making Me Think What The Music Is Making Me See. Visions Happen And Sometimes The Words Happen At The Same Time Like A Melody And The Words Will Be Born At The Same Moment But There Were Certain Melodies Before There Were All Of The Melodies Which Is Interesting Because There Was Vocal Music But The Development Of The Words And The Lyrics I Took Time With That. I Definitely Didn’t Want To Rush Into Anything And The Identity Of It Was A Bit Evasive For A Long While But When It All Consolidated And The Idea Of ‘we Drive Around This Town Houses Melting Down ’ I Remember That Particular Day Very Vividly. It Was Probably - {asking Alex} How Long Would You Say Between The First Moment Of Sparks To That Moment?” Alex Responds “a Year.” “When It Happened It Happened Very Quickly And I Worked Like That Too. I Don’t Like To Force Things I Like To Sometimes Wait For The Lightning Bolt And It Happened Quite Quickly When It Finally Hit. ‘Make It Wave It Alive ’ When I Heard Those {words} I Thought There Was No Doubt In My Mind That Was The Energy. I Do Think Sparks Is Lyrically Interesting. I Feel That Some Of The Words Are Direct In A Certain Way. I Think It’s Addressing Certain Energies In Our World As Humans. It’s Definitely Certain Energies That We Are Surrounded By That Affect Us That Can Get You Down Or Anything Like That. That Level Of Directness Is There As Well As The Grander More Abstract Realm. But ‘making It Waving It Alive’ Is That Moment Where Music And Words Become A Feeling And That Moment Is Almost Like A Metaphor For What We Aspire To Do.” ~ Victoria NPR 2/2/20 What Gear Was Used For The Opening Guitar Line For Sparks? “A Bunch O Reverb Into A Sansamp Rack.” ~ Reddit
50 Vergelijkbare nummers:
Beach House - Levitation Beach House - 10:37 My Bloody Valentine - To Here Knows When Slowdive - Souvlaki Space Station My Bloody Valentine - Blown A Wish Slowdive - Alison Cocteau Twins - Iceblink Luck Cocteau Twins - Cherry-Coloured Funk Alvvays - Belinda Says Alvvays - Ones Who Love You Japanese Breakfast - Diving Woman Wild Nothing - Shadow Salvia Palth - I Was All Over Her Cigarettes After Sex - Each Time You Fall In Love Cigarettes After Sex - Apocalypse Mazzy Star - Bells Ring Asobi Seksu - Thursday Blouse - Into Black LSD And The Search For God - This Time Tanukichan - Radiolove Whirr - Under The Same Name Dream, Ivory - Sometimes I Wonder DIIV - Acheron Japanese Breakfast - Road Head Whirr - Rose Cold DIIV - Incarnate Devil Sweet Trip - Milk Mojave 3 - Love Songs On The Radio Slow Pulp - At Home Deerhunter - Agoraphobia Slow Pulp - MUD The Radio Dept. - Never Follow Suit LSD And The Search For God - Starting Over Mojave 3 - Tomorrow's Taken Mazzy Star - Blue Light Deerhunter - Microcastle Castlebeat - Change Your Mind Panchiko - CUT Sweet Trip - Design : 2 : 3 Cranes - Shining Road Fazerdaze - Little Uneasy BDRMM - Pulling Stitches Castlebeat - Cinema 宇宙ネコ子 - Like A Raspberry Candy Claws - Fell In Love At The Water Candy Claws - Into The Deep Time One Sun Lush - Tiny Smiles Asobi Seksu - Strawberries Fleeting Joys - Patron Saint Soccer Mommy - Shotgun
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Tag musicali per Beach House:
Biography - Beach House
Beach House Is A Dream Pop Group That Formed In 2004 In Baltimore Maryland United States. The Group Consists Of Victoria Legrand Vocals Organ And Alex Scally Guitar Keyboards . Legrand Is The Niece Of French Composer Michel Legrand. The Group Has Released Eight Albums Beach House 2006 Devotion 2008 Teen Dream 2010 Bloom 2012 Depression Cherry 2015 Thank Your Lucky Stars 2015 7 2018 And Once Twice Melody 2022 . Within A Year Of Formation The Group Charmed Indie Music Enthusiasts Across The Blogosphere With Their Languid Songcraft While The Eerie Warmth Of "Apple Orchard" Landed On Pitchfork's Infinite Mixtape MP3 Series In August 2006. Two Months Later Beach House Issued Their Eponymous Debut Album For Carpark. Fall Shows With Labelmates Over The Atlantic Were Also Scheduled. Victoria Can Also Be Heard On Frenemies' Birds In High School Album. She And Chris Freeland Created Harmonies On The Song "Waiting For The Ambulance". Victoria Can Also Be Heard On Grizzly Bear's 2009 Release Veckatimest And She Sings On "Slow Life" A Grizzly Bear Track Featured On The Official Soundtrack For Twilight New Moon. In September Of 2009 Sub Pop Records Announced That Beach House Had Signed And That A Follow Up Album To 2008's Devotion Teen Dream Would Be Released In Early 2010.
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16 Vergelijkbare artiesten als Beach House - Frogtoon Muziek
Alvvays Slowdive Melody's Echo Chamber Wild Nothing Sunbeam Sound Machine Castlebeat Cocteau Twins Craft Spells Hope Sandoval & The Warm Inventions Mazzy Star Cults Cemeteries Japanese Breakfast Beach Fossils Blouse Still Corners.
(7/1/15): “It’s something new, it’s free, I think it’s bold, and I think it made sense immediately as the first thing after several years {of} not having any music out there, so it feels really good to have this song be free now.” ~ Victoria, SiriusXMU
(7/1/15): “This was one of two or three songs that felt like it was the thing that established the structure for the whole rest of the album to exist in.” ~ Alex, SiriusXMU
(7/1/15): “We were playing a show in Bristol, England, and we got this looper for our sound engineer, he’s been with us for like seven years (our live sound engineer), and we run it to Victoria’s lead vocal. You press a button when you want to start recording, and then you press a button when you want the loop to start. We were just doing soundcheck, and he was testing it out and making sure everything’s working, we don’t even know what Victoria was singing, we don’t even know what her words were, but that was the loop that got made, and he just started playing it really loud through the P.A. We said ‘please don’t stop it,’ so we held up our iPhones, and that’s an iPhone recording from Bristol. We almost always, while working on an album, find a keyboard at a local thrift store, and when we were recording Bloom we found a keyboard at an El Paso thrift store, and the keyboard you hear in the song is that keyboard. We had that chord progression of the reedy sound, that was the initial thing mixed with that beat. They came from the same keyboard. That beat mixed with that keyboard sound was super exciting to us, it had this energy we loved. We realized just messing around with that vocal loop that it’s a really cool thing to play different chords over, so as you change chords, the looping creates different harmonies with the chords. {The vocal loop} never leaves, it just changes volume. The chaos is what excited us so much; I remember when we first stumbled upon that thing.” ~ Alex, NPR
(7/1/15): Is there some element in the song that led you to all the other elements in the song? “That’s a good question because they all lead you to some other part, and when you combine things they give you new energies. The music existed for a long time before the voice identity became what it is now - which is Sparks, the loose narrative, or whatever you choose to hear in it - but it grew from a keyboard. It’s a wild myriad chord sound; it has many colors. When {Alex} first came up with that guitar part, I hadn’t heard anything like that before from {him}, and it filled me with an excitement, and I definitely feel that, in this unresolve, there’s this sort of celebration in the lack of resolve. It feels to me, as a music lover - as a person who enjoys how music makes me feel - that feels true to me in a certain way; not to be cheesy, but that in living we don’t know what’s going to happen and there almost a celebration like a rain dance or a fire dance or something, and it feels very- the chaos is true. I feel like, having heard the song so many times, that guitar always makes me feel like {that}. A lot of the words come from what the music is making me think, what the music is making me see. Visions happen, and sometimes the words happen at the same time, like a melody and the words will be born at the same moment, but there were certain melodies before there were all of the melodies, which is interesting because there was vocal music, but the development of the words and the lyrics, I took time with that. I definitely didn’t want to rush into anything and the identity of it was a bit evasive for a long while, but when it all consolidated, and the idea of, ‘we drive around this town, houses melting down,’ I remember that particular day very vividly. It was probably - {asking Alex} How long would you say between the first moment of Sparks to that moment?” Alex responds “a year.” “When it happened, it happened very quickly, and I worked like that too. I don’t like to force things, I like to sometimes wait for the lightning bolt, and it happened quite quickly when it finally hit. ‘Make it, Wave it, Alive,’ when I heard those {words} I thought there was no doubt in my mind that was the energy. I do think Sparks is lyrically interesting. I feel that some of the words are direct in a certain way. I think it’s addressing certain energies in our world as humans. It’s definitely certain energies that we are surrounded by that affect us, that can get you down, or anything like that. That level of directness is there as well as the grander, more abstract realm. But ‘making it, waving it, alive’ is that moment where music and words become a feeling, and that moment is almost like a metaphor for what we aspire to do.” ~ Victoria, NPR
(2/2/20): What gear was used for the opening guitar line for Sparks? “A bunch o reverb into a sansamp rack.” ~ Reddit Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.