Daahoud - Music

Wallace Roney Earned The Admiration And Respect Of His Colleagues And His Elders Since Age 16. He Has Been An Integral Part Of The Band With Tony Williams Ornette Coleman Art Blakey Elvin Jones Philly Joe Jones Walter Davis Jr. Herbie Hancock Jay McShann David Murray McCoy Tyner Sonny Rollins Curtis Fuller Carole King Joni Mitchell And Dizzy Gillespie To Name A Few. He Was One Of The Few Musicians In His Generation Who Learned And Perfected His Craft Directly From Alliances With Jazz Masters. But His Most Important And Meaningful Relationship Was With Miles Davis. Trumpeter Wallace Roney Is A Forward-Thinking Post-Bop Musician With A Healthy Respect For The Jazz Tradition. Blessed With A Warm Yet Plaintive Trumpet Tone And A Lithe Improvisational Style Roney's Distinctive Playing Bears The Influence Of Such Legendary Predecessors As Miles Davis Clifford Brown And Woody Shaw. While Many Of His Albums Display His Talent For Swinging And Harmonically Advanced Acoustic Jazz Others Reveal His Love Of Genre-Bending Electrified Funk Hip-Hop And Soul. Born In Philadelphia In 1960 Roney Grew Up Alongside His Younger Brother Saxophonist Antoine Roney And First Displayed An Interest In Playing The Trumpet Around Age Four. As An Adolescent He Enrolled In Philadelphia's Settlement School Of Music Where He Studied Trumpet Privately With Sigmund Hering Of The Philadelphia Orchestra. From There He Attended The Duke Ellington School Of Music In Washington D.C. Where He Gained Further Tutelage Under Langston Fitzgerald Of The Baltimore Symphony Orchestra. At The Same Time That Roney Was Receiving Formal Music Training His Father Was Encouraging Him To Transcribe Jazz Solos Of Artists Like Clifford Brown Dizzy Gillespie And Others. Consequently By His Teens Roney Was An Accomplished Performer Appearing Regularly With Both Classical Chamber Groups And Jazz Ensembles. During This Time He Took Lessons With Several Trumpet Luminaries Including Gillespie Clark Terry And Woody Shaw. He Also Had The Opportunity To Play With Pianist Cedar Walton's Group. After High School Roney Attended Both Berklee School Of Music In Boston And Howard University Before Relocating To New York City In The Early '80s. Although He Had Already Played With Such Luminaries As Drummer Art Blakey's Jazz Messengers Replacing Wynton Marsalis Who Was Touring With Herbie Hancock's V.S.O.P. Quartet In 1981 Roney's Initial Time In New York Was A Struggle That Also Found Him Taking Jobs In Latin Dance And Other Kinds Of Bands To Make Ends Meet. His Break Came In 1985 When He Toured With Miles Davis Alum/drummer Tony Williams Appearing On Two Williams' Albums -- Foreign Intrigue In 1985 And Civilization In 1986. Also Around This Time He Returned To Blakey's Jazz Messengers This Time Replacing Trumpeter Terence Blanchard. These Esteemed Gigs Helped Launch Roney Into The Upper Echelons Of The Jazz Scene. As A Solo Artist Roney Made His Debut In 1987 With The Album Verses On Muse Featuring Drummer Williams Saxophonist Gary Thomas Pianist Mulgrew Miller And Bassist Charnett Moffett. Several More Muse Albums Followed All Of Them Sophisticated Showcases For Roney's Adventurous Post-Bop And Modal-Influenced Style. While Roney Had Long Admired Miles Davis An Admitted Influence Who Had Mentored Him On And Off Since First Hearing Him Play At Davis' Carnegie Hall Birthday Gala In 1983 It Was During Davis' Famed 1991 Tribute Concert To Gil Evans At Montreux Later Released As Miles & Quincy Live At Montreux That He Cemented His Image As The Heir Apparent To Davis' Legacy. Invited By Quincy Jones To Participate In The Concert Roney Sat Next To Davis Trading Solos On Various Evans Arrangements Culled From Such Classic Davis Releases As Birth Of The Cool Miles Ahead And Sketches Of Spain. Tragically Davis Who Was Gravely Ill At The Time Died Roughly A Month After The Montreux Concerts. Following His High-Profile Show With Davis Roney Had Established Himself As A Rising Jazz Star. He Built Upon This Renown Signing A Major-Label Deal With Warner Bros. And Releasing Several Well-Received Albums With His Brother Saxophonist Antoine Roney And Wife Pianist Geri Allen Including 1993's Misterios 1995's Wallace Roney Quintet And 1996's Village. Conversely During This Period Roney Appeared On Several Of Allen's Albums Including 1997's Eyes In The Back Of Your Head And 1998's The Gathering. In 2000 Roney Took A Creative Turn Toward Funk Hip-Hop And Experimental Post-Bop With The Album No Room For Argument On Concord. It Was A Direction He Stuck With Through Several More Albums For Highnote Including 2004's Prototype And 2005's Mystikal. Roney Never Fully Retreated From Straight-Ahead Jazz Though And Generally Incorporated A Variety Of Jazz Styles On His Albums. This Varied Approach Is Represented On Such Releases As 2007's Jazz 2010's If Only For One Night And 2012's Home. In 2013 Roney Delivered Understanding His Sixth Album For Highnote. Also In 2013 He Premiered His Live Version Of Saxophonist Wayne Shorter's "Universe " A Long-Form Orchestral Composition Originally Written For The Miles Davis' Quintet In The Late '60s. Abandoned For Decades "Universe" Was Eventually Given To Roney Who Spent Much Of The Next Several Years Touring The Piece Which Included Playing An NPR Broadcast Performance At The 2014 Detroit Jazz Festival. In 2015 Roney Appeared As A Member Of The Ensemble Powerhouse On The Album In An Ambient Way Which Also Included Saxophonist/producer Bob Belden Drummer Lenny White Keyboardist Kevin Hays Guitarist Oz Noy And Bassist Daryl Johns. A Reworking Of Miles Davis' 1969 Recording In A Silent Way In An Ambient Way Was The Brainchild Of Belden Who Died A Month Before Its Release. After Belden's Passing Roney Took Time Off From His "Universe" Activities To Tour With Powerhouse. ~ Matt Collar read less