Why "Do Re Mi..." ? "Unless Sounds Are Remembered They Perish For They Cannot Be Written Down." A Benedictine Monk Who Was Also A Master Of Music Named Guido D'Arezzo Set To Work To Prevent So Many Sacred Tunes From Being Lost. Brother Guido Was Familiar With Solmization And Noted That Most Of The Gregorian Chants Popular At That Time Could Easily Be Learned By Singers If They Could See The Tone Progression Up And Down The Scale And Associate It With The Sound. He Assigned The Notes Of The Scale—C D E F G A B C—a Syllable Do Re Mi Fa Sol La Ti Do. We Know What You're Thinking Yes It Actually Is SOL—it's Traditionally Written That Way When The Tonic Notes Are Spelled Out And Often Referred To As The "sol-Fa Scale" Colloquially—but That Final L Is Hard To Hear Thanks To The LA That Follows. Those Weren’t Just Random Sounds He Chose They Came From “Ut Queant Laxis ” A Well-Known Hymn Of The Middle Ages That Was Chanted For Vespers. Each Succeeding Line Of The Song Started One Note Higher Than The Previous One So Guido Used The First Letters Of Each Word Of Each Line UT Queant Laxis REsonare Fibris MIre Gestorum FAmuli Tuorum SOLve Etc. “Ut” Was Eventually Deemed Too Difficult Pronounce And Was Changed To “Do.” Http //en.Wikipedia.Org/wiki/Ut_Queant_Laxis http //mentalfloss.Com/article/53280/why-Are-Notes-Tonal-Scale-Called-Do-Re-Mi Do-Re-Mi Every artist, every band, and every song you can imagine, from the newest to the oldest, are easily accessible through Frogtoon Music. Get ready to indulge yourself and allow the music to enrich your soul, ignite your passion, awaken your emotions, and bring back some beautiful memories. The following is a directory of top artists and bands from Do Re Mi: As you visit their pages, you will be presented with a list of popular videos, top tracks, recommended mixes, and music from all the albums they released. In addition, within each page, you can access and discover music from similar artists and bands.