Left Of The Dial - Musica
Left Of The Dial by The Replacements
The Replacements
Biografia dell'artista The Replacements
The Replacements Fu Una Band Hardcore/alternative Rock Statunitense Che Si Formò Nel 1979 A Minneapolis Minnesota. La Line-Up Della Band Per La Maggior Parte Della Sua Esistenza Fu Composta Dalla Voce E Chitarra Paul Westerberg Il Chitarrista Bob Stinson Il Bassista Tommy Stinson E Il Batterista Chris Mars. Nei Primi Album Si Ritrovano Principalmente Sonorità Tipicamente Hardcore Caratteristico Del Movimento Punk-Rock Americano Dei Primi Anni Ottanta Il Periodo "hardcore" Regala Al Rock'n'roll Album Quali "Sorry Ma Forgot To Take Out The Trash" E "Stink" Preceduti Da Un EP Di 4 Canzoni "Raised In The City". Sviluppano Già Dall'album "Hootenanny" 1983 Un Suono Più Eterogeneo Ma Sempre Contaminato Dal Punk Ottenendo Un Discreto Successo Con L'album Let It Be 1984 Ad Oggi Considerato Il Loro Capolavoro E Che Li Porterà A Firmare Un Contratto Con Una Major L'etichetta Sire Record. Di Ottimo Livello Anche I Successivi "Tim" 1985 E "Pleesed To Meet Me" 1987 . Gli Ultimi Due Album Della Band "Don't Tell A Soul" E "All Shook Down" Rappresentano Già Gli Indizi Di Quella Che A Breve Diventerà La Carriera Solista Di Paul Westerberg. Considerato Negli Anni Novanta Un Padrino Del Nuovo Movimento Grunge Westerberg Suonerà La Colonna Sonora Del Film Generazionale "Singles" Del 1992.
Frogtoon Musica - Informazioni sulla canzone: Left of the Dial
The-Replacements - Tim
The Left Side Of The FM Radio Dial Is Where You'll Find College Radio Stations Which In The Early And Mid-'80s Were The Only Places You Could Hear Indie Artists - It Was Truly "alternative." One Such Band Was Let's Active Whose Guitarist Lynn Blakey Got To Know Replacements Frontman Paul Westerberg. She Asked Him To Write Her A Letter But He Doesn't Write Letters So He Lost Touch With Her. Instead He Kept The Radio Tuned Left Of The Dial When The Band Was On Tour Hoping To Hear Her Music. One Night He Did - She Was Doing An Interview On One Of The College Stations. Unfortunately These Stations Have Low Power And A Limited Range So He Wasn't Able To Hear Her For Very Long. "I Heard Her Voice For The First Time In Six Months For About A Minute " Westerberg Told Rolling Stone. "Then The Station Faded Out." A Little Background On What You'll Find "left Of The Dial." In America The FM Frequencies From 88.1 To 91.9 MHz Are Reserved For Non-Commercial Stations Which Tends To Be A Mix Of National Public Radio NPR Affiliates Community Radio And College Radio. As Commercial Radio Got More Homogenized In The Early '80s College Radio Became Vital For Emerging Artists That Didn't Hew To Popular Taste. Most Of These Acts Stayed Underground But A Few Broke Through - R.E.M. For Example. The Stations Were Run By Students Who Could Typically Play Whatever They Liked Often Records From Their Own Collections. When Record Labels Tried To Build A Buzz For These Up-And-Coming Artists They Would Often Send Music And Other Goodies To These Stations Hoping For Airplay.
50 Tracce simili:
The Replacements - Kiss Me On The Bus The Replacements - Waitress In The Sky Hüsker Dü - Something I Learned Today Hüsker Dü - Don't Want To Know If You Are Lonely R.E.M. - Radio Free Europe R.E.M. - Catapult Violent Femmes - Good Feeling Dinosaur Jr. - They Always Come Pixies - River Euphrates Pixies - Tony's Theme Meat Puppets - Up On The Sun Meat Puppets - Too Real Jane's Addiction - Up The Beach The Dream Syndicate - That's What You Always Say Violent Femmes - Promise New Order - The Perfect Kiss Sonic Youth - Teen Age Riot The Jesus And Mary Chain - Between Planets Minutemen - Two Beads At The End New Order - Face Up The Smiths - This Charming Man Bob Mould - Heartbreak A Stranger Dinosaur Jr. - Little Fury Things The Jesus And Mary Chain - Sowing Seeds The Smashing Pumpkins - Zero Big Audio Dynamite - V. Thirteen XTC - I Bought Myself A Liarbird XTC - Chalkhills And Children The Smiths - Hand In Glove Mission Of Burma - That's When I Reach For My Revolver The Dream Syndicate - Until Lately Sonic Youth - Secret Girl Bob Mould - Can't Fight It Jane's Addiction - Jane Says The Smashing Pumpkins - Psychodelic The Cure - Just Like Heaven The Cure - Catch Minutemen - Theatre Is The Life Of You Jimmy Eat World - A Sunday The Breeders - I Just Wanna Get Along The Breeders - New Year PJ Harvey - Rub 'til It Bleeds Talking Heads - Burning Down The House The Teardrop Explodes - Poppies PJ Harvey - Hook Jimmy Eat World - The Middle Harvey Danger - Meetings With Remarkable Men The Smithereens - Yesterday Girl Nick Cave & The Bad Seeds - The Mercy Seat Sugar - Where Diamonds Are Halos
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Biography - The Replacements
The Replacements Fu Una Band Hardcore/alternative Rock Statunitense Che Si Formò Nel 1979 A Minneapolis Minnesota. La Line-Up Della Band Per La Maggior Parte Della Sua Esistenza Fu Composta Dalla Voce E Chitarra Paul Westerberg Il Chitarrista Bob Stinson Il Bassista Tommy Stinson E Il Batterista Chris Mars. Nei Primi Album Si Ritrovano Principalmente Sonorità Tipicamente Hardcore Caratteristico Del Movimento Punk-Rock Americano Dei Primi Anni Ottanta Il Periodo "hardcore" Regala Al Rock'n'roll Album Quali "Sorry Ma Forgot To Take Out The Trash" E "Stink" Preceduti Da Un EP Di 4 Canzoni "Raised In The City". Sviluppano Già Dall'album "Hootenanny" 1983 Un Suono Più Eterogeneo Ma Sempre Contaminato Dal Punk Ottenendo Un Discreto Successo Con L'album Let It Be 1984 Ad Oggi Considerato Il Loro Capolavoro E Che Li Porterà A Firmare Un Contratto Con Una Major L'etichetta Sire Record. Di Ottimo Livello Anche I Successivi "Tim" 1985 E "Pleesed To Meet Me" 1987 . Gli Ultimi Due Album Della Band "Don't Tell A Soul" E "All Shook Down" Rappresentano Già Gli Indizi Di Quella Che A Breve Diventerà La Carriera Solista Di Paul Westerberg. Considerato Negli Anni Novanta Un Padrino Del Nuovo Movimento Grunge Westerberg Suonerà La Colonna Sonora Del Film Generazionale "Singles" Del 1992.
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16 Artisti simili a The Replacements - Frogtoon Musica
Paul Westerberg Hüsker Dü Mission Of Burma Sugar Minutemen Superchunk Wipers The Hold Steady Pavement Wire R.E.M. The Feelies The Lemonheads Bob Mould Jawbreaker.
The left side of the FM radio dial is where you'll find college radio stations, which in the early and mid-'80s were the only places you could hear indie artists - it was truly "alternative." One such band was Let's Active, whose guitarist, Lynn Blakey, got to know Replacements frontman Paul Westerberg. She asked him to write her a letter, but he doesn't write letters, so he lost touch with her. Instead, he kept the radio tuned left of the dial when the band was on tour, hoping to hear her music. One night, he did - she was doing an interview on one of the college stations. Unfortunately, these stations have low power and a limited range, so he wasn't able to hear her for very long.
"I heard her voice for the first time in six months for about a minute," Westerberg told Rolling Stone. "Then the station faded out."
A little background on what you'll find "left of the dial." In America, the FM frequencies from 88.1 to 91.9 MHz are reserved for non-commercial stations, which tends to be a mix of National Public Radio (NPR) affiliates, community radio, and college radio. As commercial radio got more homogenized in the early '80s, college radio became vital for emerging artists that didn't hew to popular taste. Most of these acts stayed underground, but a few broke through - R.E.M., for example. The stations were run by students who could typically play whatever they liked, often records from their own collections. When record labels tried to build a buzz for these up-and-coming artists, they would often send music and other goodies to these stations, hoping for airplay. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.