Max Morath
Biographie de l'artiste pour Max Morath
Max Morath October 1 1926 Colorado Springs Colorado USA Is An American Ragtime Pianist Composer Actor And Author. He Is Best Known For His Piano Playing And Is Referred To As "Mr. Ragtime". He Has Been A Devoted And Prolific Performer Writing Several Plays And Productions As Well As Being Variously A Recording Artist Actor And Radio And Television Presenter. Rudi Blesh Billed Morath As A "one-Man Ragtime Army".
Max Morath Studied Piano And Harmony As A Child And Was Exposed To The Rudiments Of Ragtime Piano By His Mother A Schooled Pianist Who Had Also Spent Several Years Playing For Silent Films. He Received A Bachelor's Degree In English From Colorado College In 1948 Before Embarking On A Varied Career That Included Jobs In Radio And Television Jazz And Theatre. His Appearances As Pianist And Musical Director With Melodrama Companies In Cripple Creek And Durango Colorado Triggered His Interest In Early American Popular Music And Theatre Including A Study Of Its Social And Economic History Largely Inspired By George And Ira Gershwin Irving Berlin And His Ragtime Heroes Eubie Blake And Scott Joplin. The Success Of Those Theatrical Endeavors Led To Morath's First Professional Recordings.
During 1959-1961 Morath Wrote Performed And Co-Produced Twenty-Six Half-Hour Television Programs For PBS Then NET National Educational Television . The Programs Were Produced By Channel Six Denver And Were Fed Nationally To The Infant Public Broadcasting Network. The Ragtime Era Series Showcased The Development Of The Music Of That Period. It Was Followed By The Turn Of The Century Series Which Dealt With Popular Music's Interaction With The Nation's Social History. The Productions Are Now Considered Genre Classics And Were In Syndication Throughout The 1960s In Addition To His Landmark Television Series Morath Made Many Later Contributions To NPR And PBS. He Also Appeared On A Number Of Commercial Television Programs Including The Bell Telephone Hour Today And Tonight. From 1965 To 1972 He Was A Regular Guest Of Arthur Godfrey On CBS Radio And He Appeared Often With Godfrey In Television Guest Appearances.
Moving From Colorado To New York Around 1963 Morath Was By Then Performing Nationally In College Concerts And Nightclubs Including New York's Blue Angel And The Village Vanguard With His Original Rag Quartet. His One-Man Show Max Morath At The Turn Of The Century Was A Critical Success Off-Broadway At The Jan Hus Playhouse In 1969 Followed By A Four-Year National Tour. Other Similar Productions Followed The Ragtime Years Living A Ragtime Life The Ragtime Man Ragtime Revisited Plus Ragtime And Again. These Productions Also Toured Nationally Following Off-Broadway Openings. Morath Continued Touring Until 2007.
Returning To Academia Morath Earned A Master's Degree From Columbia University In 1996 In American Studies. His Thesis Was Based On The Life And Work Of Songwriter Carrie Jacobs-Bond 1862-1946 Composer Of "I Love You Truly" And Other Popular Songs. Morath's Extensive Research On Her And Her Times Later Led To His Writing A Biographical Novel About Jacobs-Bond Told In Her Voice IUniverse 2008 . He Also Wrote The NPR Curious Listener's Guide To Popular Standards. Among His Other Published Works Are The Essay "Ragtime Then And Now" In The Oxford Companion To Jazz Oxford 2000 And Various Music Folios Over The Years For The Richmond Organization Edw. B. Marks Music G. Schirmer Inc. Mel Bay Publications And Cherry Lane. Morath Co-Created A Coffee-Table Photograph Book Of His Experiences On The Road Titled Max Morath The Road To Ragtime And Also Wrote A Musical Play Based On The Writings Of Humorist Finley Peter Dunne Titled Trust Everybody... But Cut The Cards. He Also Published An Academic Article On Dunne. Another Of Morath's Theatrical Efforts Was One For The Road A Serio-Comic Exploration Of America's Socio-Cultural Dealings With Drugs And Alcohol. His 2005 Album Of That Name Is Not The Show's Score But Does Include A Single Number From It.
After Recording A Handful Of Albums In The Then-Popular Honky-Tonk Style He Found His Artistic Footing In A Number Of Albums Primarily For Vanguard But Also For Epic Solo Art And RCA. These Included Solo Piano And Vocal Albums Performances With His Original Rag Quartet Which At One Time Included Felix Pappalardi And James Tyler And Orchestral Works Under Such Conductor-Arrangers As Manny Albam Ray Wright And Fred Karlin. He Has Also Recorded Vocal Albums With The Team Of William Bolcom And Joan Morris. Morath's 1969 Album At The Turn Of The Century Encapsulated The Essence Of His Television Series And Live Shows And Helped Usher In The 1970s Ragtime Revival. Significant Albums Followed Including Jonah Man Ragtime Women And The Great American Piano Bench Each Of Which Pushed Beyond The Then-Current Focus On Scott Joplin. His 1992 Album Ragtime Man Included His Own Composition "Cripple Creek Suite" Capturing The Mood Of The Region's Gold Rush Days. Morath Also Composed And Recorded Several Of His Own Rags Over The Years.
Morath's Work In The 1960s Helped Lay The Groundwork For The 1970s Ragtime Revival And Had An Influence On How It Was Constituted. Commenting On The Significance Of Ragtime Morath Stated "Scorned By The Establishment As Ephemeral At Best Trashy At Worst Ragtime Was The Fountainhead Of Every Rhythmic And Stylistic Upheaval That Has Followed In A Century Of Ever-Evolving American Popular Music."
50 Meilleurs Titres de Max Morath - Frogtoon Musique
Max Morath - St. Louis Rag Max Morath - Top Liner Rag Max Morath - Maple Leaf Rag Max Morath - Hello, Ma Baby Max Morath - Scott Joplin's New Rag Max Morath - A Real Slow Drag From The Max Morath - Pickles And Peppers Max Morath - Ragtime Nightingale Max Morath - Hot House Rag Max Morath - One For Amelia Max Morath - The Thriller Max Morath - The Ragtime Oriole Max Morath - Gladiolus Rag Max Morath - Quality Max Morath - Silver Swan Max Morath - Grace And Beauty Max Morath - The Golden Hours Max Morath - The Cascades Max Morath - Country Club Max Morath - The Ragtime Dance Max Morath - The Entertainer Max Morath - Euphonic Sounds Max Morath - American Beauty Max Morath - Frog Legs Rag Max Morath - Broadway Rag-A Classic Max Morath - Alexander's Ragtime Band Max Morath - Russian Rag Max Morath - Hilarity Max Morath - Piffle Rag Max Morath - Red Rambler Rag Max Morath - Reflection Rag-Syncopated Musings Max Morath - Kinklets-Two Step Max Morath - Palm Leaf Rag-A Slow Drag Max Morath - Poker Rag Max Morath - Rooster Rag Max Morath - Searchlight Rag Max Morath - Elite Syncopations Max Morath - Patricia Rag Max Morath - Swipesy Cake Walk Max Morath - A Breeze From Alabama Max Morath - Hoosier Rag Max Morath - The Pippin Rag Max Morath - Alabama Jigger Max Morath - Magnetic Rag Max Morath - That Sentimental Rag Max Morath - Romantic Rag Max Morath - Carrie's Gone To Kansas City Max Morath - Easy Winners, The-A Ragtime Two Step Max Morath - Kansas City Rag Max Morath - X-N-Tric-Two-Step50 Meilleurs Paroles de Max Morath - Frogtoon Musique
Max Morath - St. Louis Rag | Lyrics Max Morath - Top Liner Rag | Lyrics Max Morath - Maple Leaf Rag | Lyrics Max Morath - Hello, Ma Baby | Lyrics Max Morath - Scott Joplin's New Rag | Lyrics Max Morath - A Real Slow Drag From The | Lyrics Max Morath - Pickles And Peppers | Lyrics Max Morath - Ragtime Nightingale | Lyrics Max Morath - Hot House Rag | Lyrics Max Morath - One For Amelia | Lyrics Max Morath - The Thriller | Lyrics Max Morath - The Ragtime Oriole | Lyrics Max Morath - Gladiolus Rag | Lyrics Max Morath - Quality | Lyrics Max Morath - Silver Swan | Lyrics Max Morath - Grace And Beauty | Lyrics Max Morath - The Golden Hours | Lyrics Max Morath - The Cascades | Lyrics Max Morath - Country Club | Lyrics Max Morath - The Ragtime Dance | Lyrics Max Morath - The Entertainer | Lyrics Max Morath - Euphonic Sounds | Lyrics Max Morath - American Beauty | Lyrics Max Morath - Frog Legs Rag | Lyrics Max Morath - Broadway Rag-A Classic | Lyrics Max Morath - Alexander's Ragtime Band | Lyrics Max Morath - Russian Rag | Lyrics Max Morath - Hilarity | Lyrics Max Morath - Piffle Rag | Lyrics Max Morath - Red Rambler Rag | Lyrics Max Morath - Reflection Rag-Syncopated Musings | Lyrics Max Morath - Kinklets-Two Step | Lyrics Max Morath - Palm Leaf Rag-A Slow Drag | Lyrics Max Morath - Poker Rag | Lyrics Max Morath - Rooster Rag | Lyrics Max Morath - Searchlight Rag | Lyrics Max Morath - Elite Syncopations | Lyrics Max Morath - Patricia Rag | Lyrics Max Morath - Swipesy Cake Walk | Lyrics Max Morath - A Breeze From Alabama | Lyrics Max Morath - Hoosier Rag | Lyrics Max Morath - The Pippin Rag | Lyrics Max Morath - Alabama Jigger | Lyrics Max Morath - Magnetic Rag | Lyrics Max Morath - That Sentimental Rag | Lyrics Max Morath - Romantic Rag | Lyrics Max Morath - Carrie's Gone To Kansas City | Lyrics Max Morath - Easy Winners, The-A Ragtime Two Step | Lyrics Max Morath - Kansas City Rag | Lyrics Max Morath - X-N-Tric-Two-Step | Lyrics
POPULAIRES
PISTES
MIXES
ALBUMS
Video 1 : 50
Max
Tags de musique pour Max Morath:
Biography - Max Morath
Max Morath October 1 1926 Colorado Springs Colorado USA Is An American Ragtime Pianist Composer Actor And Author. He Is Best Known For His Piano Playing And Is Referred To As "Mr. Ragtime". He Has Been A Devoted And Prolific Performer Writing Several Plays And Productions As Well As Being Variously A Recording Artist Actor And Radio And Television Presenter. Rudi Blesh Billed Morath As A "one-Man Ragtime Army".
Max Morath Studied Piano And Harmony As A Child And Was Exposed To The Rudiments Of Ragtime Piano By His Mother A Schooled Pianist Who Had Also Spent Several Years Playing For Silent Films. He Received A Bachelor's Degree In English From Colorado College In 1948 Before Embarking On A Varied Career That Included Jobs In Radio And Television Jazz And Theatre. His Appearances As Pianist And Musical Director With Melodrama Companies In Cripple Creek And Durango Colorado Triggered His Interest In Early American Popular Music And Theatre Including A Study Of Its Social And Economic History Largely Inspired By George And Ira Gershwin Irving Berlin And His Ragtime Heroes Eubie Blake And Scott Joplin. The Success Of Those Theatrical Endeavors Led To Morath's First Professional Recordings.
During 1959-1961 Morath Wrote Performed And Co-Produced Twenty-Six Half-Hour Television Programs For PBS Then NET National Educational Television . The Programs Were Produced By Channel Six Denver And Were Fed Nationally To The Infant Public Broadcasting Network. The Ragtime Era Series Showcased The Development Of The Music Of That Period. It Was Followed By The Turn Of The Century Series Which Dealt With Popular Music's Interaction With The Nation's Social History. The Productions Are Now Considered Genre Classics And Were In Syndication Throughout The 1960s In Addition To His Landmark Television Series Morath Made Many Later Contributions To NPR And PBS. He Also Appeared On A Number Of Commercial Television Programs Including The Bell Telephone Hour Today And Tonight. From 1965 To 1972 He Was A Regular Guest Of Arthur Godfrey On CBS Radio And He Appeared Often With Godfrey In Television Guest Appearances.
Moving From Colorado To New York Around 1963 Morath Was By Then Performing Nationally In College Concerts And Nightclubs Including New York's Blue Angel And The Village Vanguard With His Original Rag Quartet. His One-Man Show Max Morath At The Turn Of The Century Was A Critical Success Off-Broadway At The Jan Hus Playhouse In 1969 Followed By A Four-Year National Tour. Other Similar Productions Followed The Ragtime Years Living A Ragtime Life The Ragtime Man Ragtime Revisited Plus Ragtime And Again. These Productions Also Toured Nationally Following Off-Broadway Openings. Morath Continued Touring Until 2007.
Returning To Academia Morath Earned A Master's Degree From Columbia University In 1996 In American Studies. His Thesis Was Based On The Life And Work Of Songwriter Carrie Jacobs-Bond 1862-1946 Composer Of "I Love You Truly" And Other Popular Songs. Morath's Extensive Research On Her And Her Times Later Led To His Writing A Biographical Novel About Jacobs-Bond Told In Her Voice IUniverse 2008 . He Also Wrote The NPR Curious Listener's Guide To Popular Standards. Among His Other Published Works Are The Essay "Ragtime Then And Now" In The Oxford Companion To Jazz Oxford 2000 And Various Music Folios Over The Years For The Richmond Organization Edw. B. Marks Music G. Schirmer Inc. Mel Bay Publications And Cherry Lane. Morath Co-Created A Coffee-Table Photograph Book Of His Experiences On The Road Titled Max Morath The Road To Ragtime And Also Wrote A Musical Play Based On The Writings Of Humorist Finley Peter Dunne Titled Trust Everybody... But Cut The Cards. He Also Published An Academic Article On Dunne. Another Of Morath's Theatrical Efforts Was One For The Road A Serio-Comic Exploration Of America's Socio-Cultural Dealings With Drugs And Alcohol. His 2005 Album Of That Name Is Not The Show's Score But Does Include A Single Number From It.
After Recording A Handful Of Albums In The Then-Popular Honky-Tonk Style He Found His Artistic Footing In A Number Of Albums Primarily For Vanguard But Also For Epic Solo Art And RCA. These Included Solo Piano And Vocal Albums Performances With His Original Rag Quartet Which At One Time Included Felix Pappalardi And James Tyler And Orchestral Works Under Such Conductor-Arrangers As Manny Albam Ray Wright And Fred Karlin. He Has Also Recorded Vocal Albums With The Team Of William Bolcom And Joan Morris. Morath's 1969 Album At The Turn Of The Century Encapsulated The Essence Of His Television Series And Live Shows And Helped Usher In The 1970s Ragtime Revival. Significant Albums Followed Including Jonah Man Ragtime Women And The Great American Piano Bench Each Of Which Pushed Beyond The Then-Current Focus On Scott Joplin. His 1992 Album Ragtime Man Included His Own Composition "Cripple Creek Suite" Capturing The Mood Of The Region's Gold Rush Days. Morath Also Composed And Recorded Several Of His Own Rags Over The Years.
Morath's Work In The 1960s Helped Lay The Groundwork For The 1970s Ragtime Revival And Had An Influence On How It Was Constituted. Commenting On The Significance Of Ragtime Morath Stated "Scorned By The Establishment As Ephemeral At Best Trashy At Worst Ragtime Was The Fountainhead Of Every Rhythmic And Stylistic Upheaval That Has Followed In A Century Of Ever-Evolving American Popular Music." read less
read more
Max Morath Studied Piano And Harmony As A Child And Was Exposed To The Rudiments Of Ragtime Piano By His Mother A Schooled Pianist Who Had Also Spent Several Years Playing For Silent Films. He Received A Bachelor's Degree In English From Colorado College In 1948 Before Embarking On A Varied Career That Included Jobs In Radio And Television Jazz And Theatre. His Appearances As Pianist And Musical Director With Melodrama Companies In Cripple Creek And Durango Colorado Triggered His Interest In Early American Popular Music And Theatre Including A Study Of Its Social And Economic History Largely Inspired By George And Ira Gershwin Irving Berlin And His Ragtime Heroes Eubie Blake And Scott Joplin. The Success Of Those Theatrical Endeavors Led To Morath's First Professional Recordings.
During 1959-1961 Morath Wrote Performed And Co-Produced Twenty-Six Half-Hour Television Programs For PBS Then NET National Educational Television . The Programs Were Produced By Channel Six Denver And Were Fed Nationally To The Infant Public Broadcasting Network. The Ragtime Era Series Showcased The Development Of The Music Of That Period. It Was Followed By The Turn Of The Century Series Which Dealt With Popular Music's Interaction With The Nation's Social History. The Productions Are Now Considered Genre Classics And Were In Syndication Throughout The 1960s In Addition To His Landmark Television Series Morath Made Many Later Contributions To NPR And PBS. He Also Appeared On A Number Of Commercial Television Programs Including The Bell Telephone Hour Today And Tonight. From 1965 To 1972 He Was A Regular Guest Of Arthur Godfrey On CBS Radio And He Appeared Often With Godfrey In Television Guest Appearances.
Moving From Colorado To New York Around 1963 Morath Was By Then Performing Nationally In College Concerts And Nightclubs Including New York's Blue Angel And The Village Vanguard With His Original Rag Quartet. His One-Man Show Max Morath At The Turn Of The Century Was A Critical Success Off-Broadway At The Jan Hus Playhouse In 1969 Followed By A Four-Year National Tour. Other Similar Productions Followed The Ragtime Years Living A Ragtime Life The Ragtime Man Ragtime Revisited Plus Ragtime And Again. These Productions Also Toured Nationally Following Off-Broadway Openings. Morath Continued Touring Until 2007.
Returning To Academia Morath Earned A Master's Degree From Columbia University In 1996 In American Studies. His Thesis Was Based On The Life And Work Of Songwriter Carrie Jacobs-Bond 1862-1946 Composer Of "I Love You Truly" And Other Popular Songs. Morath's Extensive Research On Her And Her Times Later Led To His Writing A Biographical Novel About Jacobs-Bond Told In Her Voice IUniverse 2008 . He Also Wrote The NPR Curious Listener's Guide To Popular Standards. Among His Other Published Works Are The Essay "Ragtime Then And Now" In The Oxford Companion To Jazz Oxford 2000 And Various Music Folios Over The Years For The Richmond Organization Edw. B. Marks Music G. Schirmer Inc. Mel Bay Publications And Cherry Lane. Morath Co-Created A Coffee-Table Photograph Book Of His Experiences On The Road Titled Max Morath The Road To Ragtime And Also Wrote A Musical Play Based On The Writings Of Humorist Finley Peter Dunne Titled Trust Everybody... But Cut The Cards. He Also Published An Academic Article On Dunne. Another Of Morath's Theatrical Efforts Was One For The Road A Serio-Comic Exploration Of America's Socio-Cultural Dealings With Drugs And Alcohol. His 2005 Album Of That Name Is Not The Show's Score But Does Include A Single Number From It.
After Recording A Handful Of Albums In The Then-Popular Honky-Tonk Style He Found His Artistic Footing In A Number Of Albums Primarily For Vanguard But Also For Epic Solo Art And RCA. These Included Solo Piano And Vocal Albums Performances With His Original Rag Quartet Which At One Time Included Felix Pappalardi And James Tyler And Orchestral Works Under Such Conductor-Arrangers As Manny Albam Ray Wright And Fred Karlin. He Has Also Recorded Vocal Albums With The Team Of William Bolcom And Joan Morris. Morath's 1969 Album At The Turn Of The Century Encapsulated The Essence Of His Television Series And Live Shows And Helped Usher In The 1970s Ragtime Revival. Significant Albums Followed Including Jonah Man Ragtime Women And The Great American Piano Bench Each Of Which Pushed Beyond The Then-Current Focus On Scott Joplin. His 1992 Album Ragtime Man Included His Own Composition "Cripple Creek Suite" Capturing The Mood Of The Region's Gold Rush Days. Morath Also Composed And Recorded Several Of His Own Rags Over The Years.
Morath's Work In The 1960s Helped Lay The Groundwork For The 1970s Ragtime Revival And Had An Influence On How It Was Constituted. Commenting On The Significance Of Ragtime Morath Stated "Scorned By The Establishment As Ephemeral At Best Trashy At Worst Ragtime Was The Fountainhead Of Every Rhythmic And Stylistic Upheaval That Has Followed In A Century Of Ever-Evolving American Popular Music." read less
16 Artistes Similaires à Max Morath - Frogtoon Musique
Sue Keller Richard Zimmerman Zez Confrey Joseph Lamb The New Orleans Ragtime Orchestra Eubie Blake Jo Ann Castle Reginald R. Robinson Jean-20 Huguenin James Scott Burt Bales Joshua Rifkin Del Wood Mike Foerstner Johnny Maddox Tom Brier.