Arrival Kisarazu Bay_11 Dec 97 - Musique
Arrival Kisarazu Bay_11 Dec 97 by Toshiya Tsunoda
Toshiya Tsunoda
Biographie de l'artiste pour Toshiya Tsunoda
Japanese Composer Toshiya Tsunoda 1964 Has Introduced Innovative Concepts In The Arts Of "field Recording" And Of "collage". His Field Recordings Consist In Capturing The Sound Of Inert Matter Which Sounds Like A Contradiction Until One Studies Physics And Realizes That Everything Radiates Vibrations. Each Object Has A "sound" It Is Just A Matter Of Finding A Way To Render That Sound So That It Can Be Appreciated By The Human Ear. Tsunoda's Music Is Thus One Of Minimal Subsonic Vibrations. It Is Also One Of Extremely Conscientious Cut-Up Sonic Events Are Pasted Together In A Carefully Choreographed Design. Finally Tsunoda's Music Is Also Poetry Because Far From Being A Mere Scientist Collecting Specimen The Artist Carefully His Creatures So To Concentrate The Lyrical Power Of The World We Inhabit.
Thus Ful Selektion 1996 A Collaboration With Minoru Sota Plays Sounds Collected From A Room During A Period Of One Hour Extract From Field Recording Archive #2 - The Air Vibration Inside A Hollow Hapna 2000 Extracts Sounds From The Interior Of Objects Such As Bottles And Pieces Of Air Lucky Kitchen 2001 Is Literally Recordings Of Air Vibration. They All Eskew Sound Processing In Favor Of A "realistic" Reproduction Of The Original Source Of Sound. Extract From Field Recording Archive #1 Hapna 1999 Is The Most Conventional Of His Field Recordings Because It Simply Documents Sounds Of Heavy Machinery At The Harbor. Other "recordings" Include Field Recording Archive #3 - Solid Vibration Intransitive Recordings 2001 O Respirar Da Paisagem Sirr 2003 Another Essay In Microscopic Field Recording Half Of The Double-Disc Tsunoda/ Civyiu Kkliu Bremsstrahlung 2003 Scenery Of Decalcomania Naturestrip 2004 And Ridge Of Undulation Hapna 2006 But Both The Technique And The Results Tend To Repeat Themselves While Revealing Precious Little About Sounds Nature Or The Meaning Of Life. Basically Tsunoda Is Toying With Simple Ideas In Simple Manners.
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Biography - Toshiya Tsunoda
Japanese Composer Toshiya Tsunoda 1964 Has Introduced Innovative Concepts In The Arts Of "field Recording" And Of "collage". His Field Recordings Consist In Capturing The Sound Of Inert Matter Which Sounds Like A Contradiction Until One Studies Physics And Realizes That Everything Radiates Vibrations. Each Object Has A "sound" It Is Just A Matter Of Finding A Way To Render That Sound So That It Can Be Appreciated By The Human Ear. Tsunoda's Music Is Thus One Of Minimal Subsonic Vibrations. It Is Also One Of Extremely Conscientious Cut-Up Sonic Events Are Pasted Together In A Carefully Choreographed Design. Finally Tsunoda's Music Is Also Poetry Because Far From Being A Mere Scientist Collecting Specimen The Artist Carefully His Creatures So To Concentrate The Lyrical Power Of The World We Inhabit.
Thus Ful Selektion 1996 A Collaboration With Minoru Sota Plays Sounds Collected From A Room During A Period Of One Hour Extract From Field Recording Archive #2 - The Air Vibration Inside A Hollow Hapna 2000 Extracts Sounds From The Interior Of Objects Such As Bottles And Pieces Of Air Lucky Kitchen 2001 Is Literally Recordings Of Air Vibration. They All Eskew Sound Processing In Favor Of A "realistic" Reproduction Of The Original Source Of Sound. Extract From Field Recording Archive #1 Hapna 1999 Is The Most Conventional Of His Field Recordings Because It Simply Documents Sounds Of Heavy Machinery At The Harbor. Other "recordings" Include Field Recording Archive #3 - Solid Vibration Intransitive Recordings 2001 O Respirar Da Paisagem Sirr 2003 Another Essay In Microscopic Field Recording Half Of The Double-Disc Tsunoda/ Civyiu Kkliu Bremsstrahlung 2003 Scenery Of Decalcomania Naturestrip 2004 And Ridge Of Undulation Hapna 2006 But Both The Technique And The Results Tend To Repeat Themselves While Revealing Precious Little About Sounds Nature Or The Meaning Of Life. Basically Tsunoda Is Toying With Simple Ideas In Simple Manners. read less
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Thus Ful Selektion 1996 A Collaboration With Minoru Sota Plays Sounds Collected From A Room During A Period Of One Hour Extract From Field Recording Archive #2 - The Air Vibration Inside A Hollow Hapna 2000 Extracts Sounds From The Interior Of Objects Such As Bottles And Pieces Of Air Lucky Kitchen 2001 Is Literally Recordings Of Air Vibration. They All Eskew Sound Processing In Favor Of A "realistic" Reproduction Of The Original Source Of Sound. Extract From Field Recording Archive #1 Hapna 1999 Is The Most Conventional Of His Field Recordings Because It Simply Documents Sounds Of Heavy Machinery At The Harbor. Other "recordings" Include Field Recording Archive #3 - Solid Vibration Intransitive Recordings 2001 O Respirar Da Paisagem Sirr 2003 Another Essay In Microscopic Field Recording Half Of The Double-Disc Tsunoda/ Civyiu Kkliu Bremsstrahlung 2003 Scenery Of Decalcomania Naturestrip 2004 And Ridge Of Undulation Hapna 2006 But Both The Technique And The Results Tend To Repeat Themselves While Revealing Precious Little About Sounds Nature Or The Meaning Of Life. Basically Tsunoda Is Toying With Simple Ideas In Simple Manners. read less
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