Frogtoon Musique

Mothers Talk by Tears For Fears

Biographie de l'artiste pour Tears For Fears

Tears For Fears Nommé D'après Un Chapitre Du Livre Prisoners Of Pain Prisonniers De La Douleur De Arthur Janov Est Un Groupe Pop/rock Anglais Formé En 1981 Par Roland Orzabal And Curt Smith Deux Copains D'école Et Ex-Membres Des Graduate. Associés Au Départ Avec Le Mouvement New Wave Et New Romantic Leurs Premiers Morceaux Issus De L'album The Hurting De 1983 Traitaient Des Problèmes Et Des Peurs Rencontrées Lors De L'adolescence. Bien Qu'habitués Aux Top 40 Des Deux Côtés De L'Atlantique Orzabal Et Smith Ne Perceront À L'étranger Qu'avec Leur Album Songs From The Big Chair En 1985 Qui Inclut Leurs Plus Grands Succès À Ce Jour Deux Nº1 Du « Billboard Hot 100 » Et Un Nº2 Des Charts Anglais . Ils Sortent Trois Albums Avant De Se Séparer Dans La Douleur Vers 1990 The Hurting À La Musique Synthétique En 1983 Puis Songs From The Big Chair En 1985 Qui S'écarte Du Moule New-Wave Et The Seeds Of Love Aux Influences Jazz Blues Et De The Beatles Sorti En 1989. La Séparation Du Duo Sera Finalement Imputée À Orzabal À Cause De Son Approche Méticuleuse Et Frustrante De La Production Et Au Dégoût De Smith Pour Le Monde De La Musique Pop. Ils Passent Alors Les Années 90 À Travailler Chacun De Leur Côté. Orzabal Garde Le Nom « Tears For Fears » Vivant En Sortant Le Single Laid So Low Tears Roll Down Qui Sera Repris Sur Leur Best-Of Tears Roll Down Greatest Hits 82-92. En 1993 Roland Sort Un Nouvel Album Composé D'inédits En Utilisant Le Nom Tears For Fears Elemental. Orzabal Sort Ensuite Raoul And The Kings Of Spain Sous Le Nom Du Groupe Et Tomcats Screaming Outside En 2001 Sous Son Propre Nom. Smith Sort Aussi Un Album Solo Au Début Des Années 90 Puis Un CD Avec Son Groupe Mayfield. En 2001 Des Obligations Administratives Conduisent À La Première Discussion De Roland Orzabal Et Curt Smith En Plus D'une Décennie. Les Deux Se Réconcilient Et Écrivent 14 Chansons En Moins De 6 Mois. L'album Qui En Résulte Everybody Loves A Happy Ending Sort En Septembre 2004. Des Morceaux Devenus Des Classiques Tels Que Head Over Heels Seront Utilisés Pour La B.O.F. Du Film Donnie Darko Fournissant Une Cure De Jouvence Pour Le Groupe Auprès Des Nouvelles Générations. La Prochaine Étape Du Duo Est Pour L'instant Inconnue. En Attendant Orzabal Est Occupé À Écrire Son Premier Roman. Etant Donné La Nature De Leur Come-Back Surprise En 2004 Le Succès De Leur CD/DVD Live Sorti En 2006 Et Les Quelques Concerts Donnés En Europe Il Y A Fort À Parier Qu'on Entendra Encore Parler De Tears For Fears Dans Le Futur.

Frogtoon Musique - Informations sur la chanson: Mothers Talk

"Mothers Talk" Is A 1984 Song By The British Band Tears For Fears. Written By Roland Orzabal And Ian Stanley And Sung By Orzabal It Was The Band's Seventh Single Release The First To Be Taken From Their Second Album Songs From The Big Chair And Fifth UK Top 40 Chart Hit. The Song Was Released Six Months In Advance Of The Album And Enjoyed Moderate Success Internationally. Orzabal Notes That While "Mothers Talk" Helped Move The Band In A New Creative Direction He Does Not Like The Track. Producer Chris Hughes Considers It Important To The Band's Development Although He And Engineer Dave Bascombe Agree That The Song Is Not One Of Orzabal's Best. “This Was A Taster For Songs From The Big Chair The Second Album On Which We Unashamedly Tried To Become More Commercial. I Was Against It But I Was Swayed By Some Of The People That I Was Working With. They Wanted To Come Out All Guns Blazing But I Wasn't Ready For That. It Was From This Point Though That Things Really Started To Explode.“ — Roland Orzabal "Mothers Talk" Was Written In 1983 And Was First Publicly Performed During The Band's Late 1983 Tour. Orzabal Describes It As An Unsuccessful Attempt To Mimic The Sound Of Talking Heads. In Early 1984 The Band Went Into The Studio To Record The Song As Their Next Single Though The Recording Sessions With Their New Producer Jeremy Green Did Not Work Out As Planned And The Recording Was Scrapped. The Band's Previous Producer Chris Hughes Was Then Brought Back Into The Fold And The Song Was Re-Recorded And Finally Released As A Single In August 1984. Hughes Stayed On With The Band To Record Their Second Album Songs From The Big Chair. Along With Its B-Side "Empire Building" "Mothers Talk" Was One Of The First Tears For Fears Songs To Demonstrate A Creative Use Of Sampling. The Strings At The Beginning Of The Song Were Culled From A Barry Manilow Record While The Drum Sample Around Which "Empire Building" Is Built Was Lifted From The Simple Minds Song "Today I Died Again". This Was The Second Tears For Fears Single For Which Phonogram Records Would Use The Picture Disc And Coloured Vinyl Gimmicks As A Promotional Tool As Well As The First One To Feature Multiple 12" Releases Offering Different Remixes Of The Track. Limited Quantities Of The 7" Single Also Came With A Free Tears For Fears Window Sticker Of The Band's New Logo. “The Song Stems From Two Ideas. One Is Something That Mothers Say To Their Children About Pulling Faces. They Say The Child Will Stay Like That When The Wind Changes. The Other Idea Is Inspired By The Anti-Nuclear Cartoon Book When The Wind Blows By Raymond Briggs.“ — Roland Orzabal While America Saw "Everybody Wants To Rule The World" As The First Single Release From The Songs From The Big Chair LP "Mothers Talk" Was Eventually Released There As The Fourth And Final Single From The Album In April 1986 Peaking At No. 27 On The Billboard Hot 100. Although Labeled As A "remix" This Version Of The Song Is Actually A Complete Re-Recording Done By The Band After Their Big Chair Tour Wrapped Up. It Was Mixed By The Award-Winning Producer Bob Clearmountain Who Would Go On To Mix The Band's Next Album With Them. In Addition To A Different Picture Sleeve The Single Featured The Band's Cover Of Robert Wyatt's "Sea Song" As The B-Side This Had Been Released As The B-Side To The Single "I Believe" In Other Countries In 1985 . This Version Was Also Released In Canada And Japan At The Same Time.

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