I Heard It Through The Grapevine - Musique

Marvin Pentz Gay Jr Naît Le 2 Avril 1939 À Washington DC. Fils De Pasteur Il Fréquente Régulièrement L'église Où Il S'exerce À La Musique En Chantant Et En Pratiquant Le Piano Et La Batterie. Ainsi La Musique Est Devenue Une Échappatoire À La Vie Cauchemardesque Qui Régne Alors Dans Son Foyer Son Père Le Battait Régulièrement . Au Cours De Son Adolescence Il Intègre Plusieurs Groupes Comme The Rainbows The Moonglows Ou The Marquees. Il Fera Ainsi La Rencontre D'Harvey Fuqua Un Producteur Qui Aura Une Forte Influence Sur Lui. Cependant Marvin Gaye Se Détache Peu À Peu De Ces Groupes En Enregistrant Quelques Titres Qui N'obtiendront Jamais De Succès. Le Déclic Se Produit En 1961 L'année Où Il Parvient À Être Signé Par La Maison De Disque Motown Et Rencontre Les Plus Grandes Stars De La Soul. Le Patron Du Label Berry Gordy Le Prend Sous Son Aile. Marvin Débute Avec La Sortie Des Simples Can I Get A Witness Hitch Hike Et Price And Joy. Mais C'est En 1964 Année De Sortie De Son Premier Album Que Le Succès Explose. Il Collabore Par La Suite Avec Tammi Terrell Et Diana Ross Entre Autres. Les États-Unis Sont Séduits Par Ce Nouvel Artiste Plein De Charisme Doté D'une Voix Mélodieuse. En 1968 La Célébrissime Chanson I Heard It Through The Grapevine Reprise De Gladys Knight & The Pips Sera En Tête Des Charts. Après Le Décès De Tammi Terrell Atteinte D'une Tumeur Au Cerveau Marvin Gaye Entame Une Dépression. Après De Longs Mois De Solitude Et De Réflexion Il Revient Avec Le Nouvel Opus What's Going On En 1971. Dans Cet Album-Concept Il Procède À L'analyse De Son Époque Et Touche À Des Sujets Sensibles Tels La Lutte Pour Les Droits Civiques La Guerre Du Viêt Nam Où Son Petit Frère Frankie Périt Au Combat Ainsi Que L'écologie. Cet Album Très Novateur Pour L'époque Lui Permet De Se Débarrasser De Son Image De Sex Symbol Et D'être Considéré Comme Un Des Grands Compositeurs De Soul. Malgré Le Refus Initial Du Fondateur De La Maison De Disque Motown Son Beau-Frère Berry Gordy L'album Sort Et Devient Un Classique. Deux Ans Après Marvin Gaye Obtient Un Nouveau Succès Avec Let's Get It On Disque Motivé Par Sa Liaison Extraconjugale Passionnée Avec Une Jeune Femme Nommée Janis Hunter. Au Cours Des Années 1970 Le Chanteur Publie Plusieurs Albums. On Peut Surtout Retenir Here My Dear Dont La Genèse Est Particulière Son Épouse Anna Gordy Gaye De Quelques Années Son Aînée Excédée Par La Double Vie De Marvin Gaye Demande Le Divorce. Après De Longues Négociations Le Juge Devant Statuer Ordonne Au Chanteur De Réaliser Un Album Dont L'avance Perçue Sera Reversée À Son Épouse. Ayant Tout D'abord Voulu Réaliser Un Disque Superficiel L'artiste Publiera Une Œuvre Complexe Où Il Reviendra En Détail Sur Son Mariage Houleux. En 1981 Marvin Gaye Voit Une Série D'enregistrements Dont Des Démos Publiée Sans Son Accord Sous Le Titre In Our Lifetime Ce Qui Provoquera La Rupture Définitive Avec Motown. Ayant Signé Avec La Maison De Disque CBS Records L'artiste Part Pour Ostende En Belgique. Là Devant Faire Face À La Concurrence De Nouvelles Stars Telles Que Rick James Il Fera Appel À Harvey Fuqua Et Gordon Banks Pour Réaliser Son Album Midnight Love Dont Est Issu Le Tube Sexual Healing. Il Retourne S'installer À Los Angeles Mais Les Choses Se Gâtent De Nouveau Et Marvin Gaye Retombe En Dépression. Il Fera Une Dernière Performance Publique Lors Du NBA All Star Game En 1983 Où Sa Reprise De L'hymne National Américain Reste Dans Les Mémoires. À La Suite D'une Violente Dispute Son Père Le Tua De Deux Coups De Revolver Le 1er Avril 1984. Il Aurait Eu 45 Ans Le Lendemain. À La Surprise Générale Tout Le Monde Découvre Que Marvin Gaye Avait De Gros Problèmes Avec La Drogue. read less

16 Artistes Similaires à Marvin Gaye - Frogtoon Musique

Marvin Gaye & Tammi Terrell Stevie Wonder Al Green Curtis Mayfield The Isley Brothers Diana Ross & Marvin Gaye The Temptations Bill Withers Isaac Hayes Teddy Pendergrass Sly & The Family Stone D'Angelo Eddie Kendricks Donny Hathaway Gladys Knight & The Pips The O'Jays

"I Heard It Through the Grapevine" is a landmark song in the history of Motown Records. Written by Norman Whitfield and Barrett Strong in 1966, the single was first recorded by Smokey Robinson & the Miracles. Released on September 25, 1967 as Soul 35039 by Gladys Knight & the Pips, who recorded the third version of the song, it has since become a signature song, however, for singer Marvin Gaye, who recorded the second version of the song prior to the Pips' version but released the song after theirs on October 30, 1968 as Tamla 54176. Creedence Clearwater Revival released their popular version of the song in 1970. Gaye's version has since become a landmark in pop music. In 2004, it ranked #80 on Rolling Stone's list of The 500 Greatest Songs of All Time.[1] On the commemorative 50th Anniversary of the Billboard Hot 100 issue of Billboard magazine in June 2008, Gaye's version was ranked as the 65th biggest song on the chart.[2] It was also inducted to the Grammy Hall of Fame for "historical, artistic and significant" value. Early recordings- In 1966, Barrett Strong, a former recording artist for Motown Records and the singer behind the label's breakthrough hit, "Money (That's What I Want)", had begun to work in the songwriting staff after failing to produce a follow-up hit. Motown CEO Berry Gordy hired Strong to work with Norman Whitfield to work on recordings for The Temptations following the success of Whitfield's recording of the group's "Ain't Too Proud to Beg". Strong originally composed "I Heard It Through the Grapevine" due to his own personal relationship. Whitfield began collaborating with Strong on the song and eventually decided to record it with The Miracles, who recorded the song on August 6, 1966. Due to Gordy's strong veto power during Motown's annual Friday meetings at Hitsville USA's Quality Control Department, the Miracles' version was deemed unreleasable. Gordy's thoughts on the song were that he thought the song was "horrible" and advised Whitfield and Strong to create a stronger single, however the duo refused to budge. Years later, a second version by The Miracles, with a similar arrangement to their first version, appeared as an album track on their 1968 Special Occasion LP. Their original recording was issued years later on a compilation album entitled Motown Sings Motown Treasures. The Isley Brothers were rumored to have recorded the song, but there is no evidence that they ever did. Some Motown historians believe that a session may have been scheduled but canceled.[3] Marvin Gaye recording- Whitfield recruited his early collaborator Marvin Gaye to record the song on April 10, 1967. Later recordings of Marvin's version took more than a month due to Whitfield overdubbing Marvin's vocals with that of The Andantes' background vocals, and including several tracks featuring The Funk Brothers on the rhythm track and the Detroit Symphony Orchestra on the orchestral background. The session featuring Gaye led to arguments between the producer and singer, particularly over vocal registry. Whitfield struggled to convince Gaye to perform the song in a high rasp, a move that had worked on David Ruffin during the recording of the The Temptations hit, "Ain't Too Proud to Beg". Whitfield was later described by several Motown employees as "cocky" and "arrogant" but "always got what he wanted out of the performer". Marvin eventually agreed to record it in Whitfield's key and the song later led to a change in the singer's vocals, first reflected on the Ivy Jo Hunter-produced "You" and the Frank Wilson-produced "Chained". The mixture of Marvin's bluesy raspy vocals and The Andantes' sweeter harmonies, made Whitfield confident that he had a hit, however, Motown CEO Berry Gordy was not impressed. The label instead released the sweeter "Your Unchanging Love", a song that was included on the singer's 1966 album Moods of Marvin Gaye. This recording was featured on the music video game Band Hero. The Gladys Knight & the Pips recording- Gladys Knight & the Pips was the next Motown act to record "Grapevine". Signed to Motown in 1966, the group had already scored a few hits prior to signing with the label and in early 1967, had a hit with their third Motown single, "Everybody Needs Love". After hearing Aretha Franklin's version of "Respect", Whitfield again rearranged the song to fit its style. According to David Ritz, Whitfield set to record a song that would "out-funk" Aretha. After Whitfield presented the demo tapes for "Grapevine", members Gladys Knight, Bubba Knight, William Guest, and Edward Patten worked for several weeks on their vocal arrangement. To make the song suitable for Gladys, the first line of the second verse ("I know a man ain't supposed to cry/But these tears I can't hold inside") was altered to ("Take a good look at these tears in my eyes/Baby, these tears I can't hold inside"). After much talk, Gordy reluctantly allowed the Pips' version to be a single. Motown put little support behind it and the Pips relied on connections with DJs across the United States to get the record played. The Pips' version of "Grapevine" reached number one on the Billboard R&B chart on November 25, 1967, and stayed there for six weeks, making it the group's second R&B number one after 1961's "Every Beat of My Heart". It reached two on the Billboard Pop Singles singles chart[4] the same month, with The Monkees' "Daydream Believer" holding top spot. It was Motown's best-selling single to that point. Marvin Gaye version's release and reaction- Despite this success, Whitfield felt Marvin Gaye's version was still a hit and he continued asking Gordy to release Gaye's "Grapevine" as a single, but Gordy didn't want to release Marvin's version after the Pips made a hit out of it. In September 1968, Whitfield managed to have Gaye's "Grapevine" added to Gaye's 1968 album In the Groove. The single for In the Groove, "You", made it to 34 on the pop charts, while "Grapevine" became the most-played and requested track from the album. After radio deejays prompted Motown to release it, Gordy finally relented, releasing Marvin's version as a single on October 30, 1968. Gaye's "I Heard It Through the Grapevine" eventually outsold the Pips', and until The Jackson 5's "I'll Be There" 20 months later, was the biggest hit single of all time on the Motown label. It stayed at the top of the Billboard Pop Singles chart for seven weeks, from December 14, 1968 to January 25, 1969. Gaye's "Grapevine" also held number one on the R&B chart during the same seven weeks,[5] and stayed at number one in the United Kingdom for three weeks starting on March 26, 1969. The label was pleased with the success, although Gaye, depressed because of issues such as the illness of singing partner Tammi Terrell (which would kill her less than a year later), was quoted as saying that his success "didn't seem real" and that he "didn't deserve it".[6] Due to the song's success, In the Groove was re-issued as I Heard It Through the Grapevine and peaked at number two on the R&B album chart and number sixty-three on the album chart, which was at the time Marvin's highest-charted solo studio effort to date. Because of the success of both versions , "I Heard It Through the Grapevine" was the first and last number one on the Billboard R&B chart in 1968: the Pips version was the first week of January, the Gaye version the last week of December. Knight was not pleased that Gaye's version usurped her own. She stated that Gaye's version was recorded over an instrumental track Whitfield had prepared for a Pips song, an allegation Gaye denied.[7] Despite initial disappointment, Gladys and Marvin would later patch things up and in 1983, the two now-former Motown label mates reunited to perform their versions of the single. Overview- "I Heard It Through the Grapevine" has been rendered in different ways, although the theme, a relationship beginning to break up, remains prominent in each. The narrator has no clue that his relationship is in a bad state, and only learns after gossip "through the grapevine" that his lover is cheating. Of the first four versions produced by Norman Whitfield, only the Gaye version makes pain and confusion a clear part of the texture: Whitfield surrounds Gaye with horror-film strings, voodoo drums and percussion, and an ominous Wurlitzer electric piano line doubled by the guitar. The Miracles' version is a mid-tempo number, while Gladys Knight & the Pips' version is built around bravado and a quick-tempo gospel feel. Main article: Psychedelic soul Marvin's recording of the single gave way later on to the soul subgenre known as psychedelic soul, pioneered by Whitfield and Sly Stone the same year Marvin's version was released. Marvin would record in this style until after the release of What's Going On in 1971 before settling into a funk sound in the 1970s. Other artists who recorded in the "psychedelic soul" genre included The Temptations, (Diana Ross &) The Supremes, Stevie Wonder and The Isley Brothers after their Motown tenure fizzled. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.