Fado Das Horas - Musique
Fado Das Horas by Maria Teresa De Noronha
Maria Teresa De Noronha
Biographie de l'artiste pour Maria Teresa De Noronha
D. Maria Teresa Do Carmo De Noronha November 7 1918 – July 5 1993 Was A Portuguese Aristocrat And A Fado Singer. Maria Teresa De Noronha’s Particularity In Fado Is Due To Her Voice Expressive Force And Her Synchronization With The Instruments. Her Beautiful Natural Soprano Voice Rigorously Tuned Was Always Superbly Positioned Either In Low Or High Pitches And Was Provided With An Unmatched Agility And Capacity To Elaborate Intricate Melodic Ornaments With Precision. Her Perfection Is Evidenced In Her Brilliant Repertoire Of Some Lower-Pitched Fados Of Coimbra Generally A Turf For Male Voices. The Expressive Force Is A Must For Those Rigorosos Like M.T. Noronha Who Interpreted Almost Exclusively Fados Castiços In Which The Music Is Repeated Four To Five Times. The Challenge For The Virtuous Singer Is To Stylize I.E. To Vary The Melodic Design Of Each Stanza According To The Emotional Suggestions Of The Lyrics Themselves. Maria Teresa De Noronha’s Style Was To Introduce The Fados With A Simple And Clear Melody And Subsequently To Insert A Variety Of Dynamic Nuances Hinting The Main Words With Either More Intensity An Intimate Whisper Or Briefly Suspending Her Voice. Generally It Isn’t Until The Final Stanza That The Full Climax Is Reached.
50 Titres similaires:
Lucília Do Carmo - Foi Na Travessa Da Palha Lucília Do Carmo - É Loucura Katia Guerreiro - Lisboa À Noite Mafalda Arnauth - Quase Imortal Amália Rodrigues - Estranha Forma De Vida Aldina Duarte - Ai Meu Amor Se Bastasse Amália Rodrigues - Alfama Hermínia Silva - A Tendinha Camané - Sei De Um Rio Ana Sofia Varela - As Luvas De Minha Mãe Mísia - Fogo Preso Carla Pires - Balada Para Uma Boneca De Capelista Pedro Moutinho - Lisboa Mora Aqui Maria Teresa De Noronha - Minhas Penas Ana Sofia Varela - Fado Vadio Má Fama Carla Pires - Fado Das Tamanquinhas Camané - Ela Tinha Uma Amiga Aldina Duarte - Princesa Prometida Fernando Farinha - Canção De Lisboa Raquel Tavares - Rosa Da Madragoa Maria Da Fé - Valeu A Pena Ricardo Ribeiro - Moreninha Da Travessa Hermínia Silva - Fado Da Sina Pedro Moutinho - Alfama com Mayra Andrade Mafalda Arnauth - Esta Voz Que Me Atravessa Joana Amendoeira - Fado Dos Azulejos Lenita Gentil - Fado Pechincha Velha Mouraria Ricardo Ribeiro - De Loucura Em Loucura Katia Guerreiro - Asas Carlos Ramos - Não Venhas Tarde Maria Teresa De Noronha - Fado Vianinha João Ferreira-Rosa - TRISTE SORTE Gisela João - Bailarico Saloio Cuca Roseta - Rua Do Capelão Maria Da Fé - Até Que A Voz Me Doa Gisela João - Madrugada Sem Sono João Ferreira-Rosa - Fado Dos Saltimbancos Argentina Santos - DUAS SANTAS Alfredo Marceneiro - Há Festa Na Mouraria Raquel Tavares - Outra Boa Noite Lenita Gentil - Sinais De Primavera Joana Amendoeira - Amor Mais Que Perfeito Mísia - Rapsodia Dos 3 Poetas Teresa Tarouca - Até Parece Mentira Beatriz Da Conceição - POMBA BRANCA, POMBA BRANCA Fernanda Maria - Saudade Vai-Te Embora Ana Laíns - Eu Beatriz Da Conceição - Já Me Deixou Celeste Rodrigues - Romarias Do Norte Celeste Rodrigues - Antigamente
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Biography - Maria Teresa De Noronha
D. Maria Teresa Do Carmo De Noronha November 7 1918 – July 5 1993 Was A Portuguese Aristocrat And A Fado Singer. Maria Teresa De Noronha’s Particularity In Fado Is Due To Her Voice Expressive Force And Her Synchronization With The Instruments. Her Beautiful Natural Soprano Voice Rigorously Tuned Was Always Superbly Positioned Either In Low Or High Pitches And Was Provided With An Unmatched Agility And Capacity To Elaborate Intricate Melodic Ornaments With Precision. Her Perfection Is Evidenced In Her Brilliant Repertoire Of Some Lower-Pitched Fados Of Coimbra Generally A Turf For Male Voices. The Expressive Force Is A Must For Those Rigorosos Like M.T. Noronha Who Interpreted Almost Exclusively Fados Castiços In Which The Music Is Repeated Four To Five Times. The Challenge For The Virtuous Singer Is To Stylize I.E. To Vary The Melodic Design Of Each Stanza According To The Emotional Suggestions Of The Lyrics Themselves. Maria Teresa De Noronha’s Style Was To Introduce The Fados With A Simple And Clear Melody And Subsequently To Insert A Variety Of Dynamic Nuances Hinting The Main Words With Either More Intensity An Intimate Whisper Or Briefly Suspending Her Voice. Generally It Isn’t Until The Final Stanza That The Full Climax Is Reached.
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16 Artistes Similaires à Maria Teresa De Noronha - Frogtoon Musique
Joana Amendoeira Maria Da Fé Argentina Santos Mafalda Arnauth Carlos Ramos Katia Guerreiro Ana Sofia Varela Alfredo Marceneiro Carlos Zel Dona Rosa Manuel De Almeida Liana Aldina Duarte Ana Laíns Artur Paredes Fernanda Maria.