Polymorphia - Musique
Polymorphia by Krzysztof Penderecki
Krzysztof Penderecki
Biographie de l'artiste pour Krzysztof Penderecki
Krzysztof Penderecki Est Né En Pologne Le 23 Novembre 1933. Son Œuvre À Base D'instruments Classiques Les Utilise Dans Un Atonalisme Travaillant Les Glissandi Le Chromatisme Ainsi Que Les Clusters. Il Persiste Toutefois Une Inspiration Religieuse Stabat Mater Passion… . Son Langage A Ensuite Évolué Vers Une Simplification Proche D'une Tonalité Classique Requiem .
La Passion Selon Saint-Luc 1965-1966 Est Considérée Comme Son Chef-D'œuvre.
Frogtoon Musique - Informations sur la chanson: Polymorphia
Krzysztof-Penderecki - Threnody For The Victims Of Hiroshima / Popcorn Superhet Receiver / Polymorphia / 48 Responses To Polymorphia
In Greek “poly” Means “many” And “morph” Means “shape" Or "form” From The Greek Morphe Therefore Polymorphia Can Be Understood As “many Shapes Or Forms.”
...Polymorphia Is A Musical Composition For 48 String Instruments Twenty-Four Violins And Eight Each Of Violas Cellos And Basses Composed By The Polish Composer Krzysztof Penderecki In 1961. The Piece Was Commissioned By The North German Radio Hamburg. It Premiered On April 16 1962 By The Radio Orchestra And Was Conducted By Andrzej Markowski. ....
At The End Of The 1950s And In The Early 1960s Penderecki’s Post Student Years He Sought Out New Sonic And Technical Possibilities Of Instruments Particularly Strings By Unconventional Means Of Articulation And Peculiar Treatment Of Sound-Pitch. In Doing So Penderecki Abandoned The Traditional Notation System And Invented His Own Graphic Notation Which Was Inspired By Electroencephalograms. ... ... Penderecki Constructed The Piece By Sound Events. Instead Of “melody”... Wolfram Schwinger “the Broadly Deployed Scale Of Sound…the Exchange And Simultaneous Penetration Of Sound And Noise The Contrast And Interflow Of Soft And Hard Sounds."
lots More Http //en.Wikipedia.Org/wiki/Polymorphia
50 Titres similaires:
György Ligeti - Lontano Krzysztof Penderecki - Threnody To The Victims Of Hiroshima György Ligeti - Ligeti: Requiem: II. Kyrie. Molto Espressivo Béla Bartók - Music For Strings, Percussion And Celesta, Sz. 106: 3. Adagio Krzysztof Penderecki - Threnody For The Victims Of Hiroshima Anton Webern - Five Pieces For Orchestra Alfred Schnittke - Allegro Alfred Schnittke - Canon In Memory Of Igor Stravinsky Olivier Messiaen - O Sacrum Convivium, I/18 武満徹 - Saegirarenai Kyusoku Uninterrupted Rest : III. A Song Of Love George Crumb - The Sleeper George Crumb - Vox Balaenae: Sea-Nocturne ...For The End Of Time Giacinto Scelsi - Manto Per Quattro Giacinto Scelsi - Pranam I Edgard Varèse - Intégrales Steve Reich - Phase Patterns Olivier Messiaen - Apparition De L'Église Éternelle Elliott Carter - To Music John Adams - The Chairman Dances Terry Riley - M - Music I - Inside C - Curved E-Entrances 武満徹 - A Boy Named Hiroshima Witold Lutosławski - Piano Concerto: I. Witold Lutosławski - Piano Concerto: IV. Charles Ives - The Circus Band, S. 229 George Antheil - Sonatina Für Radio, W. 58 George Antheil - Little Shimmy, W. 45 Charles Ives - Like A Sick Eagle, S. 288 Arnold Schönberg - Verklärte Nacht, Op. 4: III. Schwer Betont Pierre Boulez - Notations: V. Doux Et Improvisé John Cage - Sonata And Interludes For Prepared Piano: Sonata V John Cage - A Valentine Out Of Season Iannis Xenakis - Hiketides Suite Arnold Schönberg - Adagio Alban Berg - Lyric Suite For String Quartet - V. Presto Delirando. Tenebroso Francis Poulenc - Priez Pour Paix, FP 95 Francis Poulenc - Main Dominée Par Le Cœur, FP 135 Terry Riley - Dorian Reeds Iannis Xenakis - Noomena Galina Ustvolskaya - Trio For Clarinet, Violin And Piano: I. Espressivo Galina Ustvolskaya - Trio For Clarinet, Violin And Piano: III. Energico Henri Dutilleux - Trois Strophes Sur Le Nom De Sacher: III. Vivace Henri Dutilleux - Trois Strophes Sur Le Nom De SACHER: II. Andante Sostenuto Alban Berg - Lyric Suite For String Quartet - II. Andante Amoroso Sofia Gubaidulina - Musical Toys: VI. Song Of The Fisherman John Luther Adams - Dream Of The Canyon Wren Jocelyn Pook - Lullaby Luciano Berio - Sequenza IXb Samuel Barber - Toccata Festiva, Op. 36 Helmut Lachenmann - Kontrakadenz Luciano Berio - Sequenza VIIb
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Tags de musique pour Krzysztof Penderecki:
Biography - Krzysztof Penderecki
Krzysztof Penderecki Est Né En Pologne Le 23 Novembre 1933. Son Œuvre À Base D'instruments Classiques Les Utilise Dans Un Atonalisme Travaillant Les Glissandi Le Chromatisme Ainsi Que Les Clusters. Il Persiste Toutefois Une Inspiration Religieuse Stabat Mater Passion… . Son Langage A Ensuite Évolué Vers Une Simplification Proche D'une Tonalité Classique Requiem .
La Passion Selon Saint-Luc 1965-1966 Est Considérée Comme Son Chef-D'œuvre. read less
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La Passion Selon Saint-Luc 1965-1966 Est Considérée Comme Son Chef-D'œuvre. read less
16 Artistes Similaires à Krzysztof Penderecki - Frogtoon Musique
György Ligeti Alfred Schnittke Olivier Messiaen Béla Bartók Валентин Васильович Сильвестров Benjamin Britten Giacinto Scelsi Arnold Schönberg Dmitri Shostakovich Henryk Górecki Igor Stravinsky Charles Ives Kaija Saariaho Francis Poulenc Edgard Varèse Iannis Xenakis.
In Greek, “poly” means “many” and “morph” means “shape" or "form” (from the Greek morphe), therefore Polymorphia can be understood as “many shapes or forms.”
...Polymorphia is a musical composition for 48 string instruments (twenty-four violins and eight each of violas, cellos and basses) composed by the Polish composer Krzysztof Penderecki in 1961. The piece was commissioned by the North German Radio Hamburg. It premiered on April 16, 1962 by the radio orchestra and was conducted by Andrzej Markowski. ....
At the end of the 1950s and in the early 1960s (Penderecki’s post student years), he sought out new sonic and technical possibilities of instruments, particularly strings, by unconventional means of articulation and peculiar treatment of sound-pitch. In doing so, Penderecki abandoned the traditional notation system and invented his own graphic notation, which was inspired by electroencephalograms. ... ... Penderecki constructed the piece by sound events. Instead of “melody”...
Wolfram Schwinger: “the broadly deployed scale of sound…the exchange and simultaneous penetration of sound and noise, the contrast and interflow of soft and hard sounds."
lots more : http://en.wikipedia.org/wiki/Polymorphia
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