Say The Name - Musique
Say The Name by Clipping.
Clipping.
Biographie de l'artiste pour Clipping.
Clipping. Is A Rap Trio From Los Angeles Formed In 2010 By William Hutson Rale Film Soundtrack Composer Jonathan Snipes Ex-Captain Ahab And Vocalist Daveed Diggs. Lyrically Clipping.’s Music Attempts To Reshuffle And Repeat Accepted Rap Scenarios While Eliminating A Traditional Single-Point Perspective. Diggs’s Writing Is Heavily Citational Like A Rough-Edged Collage Gluing Together Half-Glimpsed Images And Misremembered References Many Of Which Might Feel Familiar And Some Of Which Assuredly Do Not. But Even While He Consumes And Regurgitates Established Styles His Self-Erasure Is Incomplete Diggs’s Dense Often Motormouthed Flow Remains Wholly His Own. Individually The Members Are Known Outside Of The Group For Their Extra-Curricular Artistic Projects. Diggs Is A Stage Actor While Snipes Composes Music For Film And Hutson Is An Established Noise Music Artist. Snipes And Hutson Have Collaborated On Many Projects Including The Score To The Documentary Room 237 Which Was Released By IFC In 2013. In February 2013 Clipping. Released Their Debut Album Midcity On Their Website. The Project Was Created Entirely In-House With The Trio Writing Producing Engineering Mixing And Mastering All Of The Material Themselves. There Was No Budget No Outside Promotion No Hype-Machine No Blog Or Label Interest. In Fact Clipping. Had No Expectation That Anyone Would Bother Listening To The Album Let Alone Enjoy It. Nevertheless Reactions Were Largely Positive— Despite The Uncompromising Nature Of The Production And Its Obfuscatory Lyrical Content— And Within Five Month’s Of Midcity’s Release Clipping. Signed A Deal With Sub Pop Records. CLPPNG The Band’s Label Debut Was Written And Recorded Between February And October Of 2013. Highly Well-Received CLPPNG Is An Album That Demonstrates The Variety Of Sounds Available When The ‘rules’ Of A Genre Are Willfully Questioned. Http //www.Itsclippingbitch.Com
Frogtoon Musique - Informations sur la chanson: Say the Name
Clipping. - Say The Name
”Say The Name” Released On August 26 2020 Is The Lead Single From Clipping.’s 2020 Album Visions Of Bodies Being Burned The Second Half Of The Horrorcore-Homage Diptych Which Began With 2019’s There Existed An Addiction To Blood. Like The Songs Of The Preceding Album Say The Name Views The Elements And Themes Of 90s Horror Films And Horrorcore Through An “antiracist Antipatriarchal Anticolonial” Lens To “address The Struggles Of Our Current Era.” This Song Refers To The Urban Legend Of The Candyman A Hook-Handed Supernatural Being Who Can Be Summoned By Repeating His Name In A Mirror Originated By Clive Barker’s 1985 Short Story The Forbidden And Further Expounded Upon In The 1990s Candyman Horror Film Series. The Official Album Release Of Visions Of Bodies Being Burned Describes Him As “a Certain Mirror-Bound Bee-Keeping Hook-Handed Former-Slave/urban Legend " All Aspects Of Which Are Referenced Throughout The Song. In The Candyman Story The Eponymous Character Was A Black Painter Who Has A Child With A White Woman And Is Subsequently Lynched By Her Father. Here Clipping. Expertly Retells This Story Of Racial Violence And Interracial Love. William Hutson “I Had Always Wanted To Make A Track Using That Phrase From The Geto Boys And We Had Talked About Doing A Dance Mania Chicago Ghetto House Track About Candyman. I Always Liked That Idea Of A Slow Plodding More Dance-Oriented Track Using That Line Repeated As A Hook.” Daveed Diggs “We Had Always Talked About How That Line Is One Of The Scariest Lines In Rap Music It’s Just Really Good Writing. Scarface Does That Better Than Anybody. What We Had Was This Very Chicago These Really Specific Reference Points To Me That I Had To Connect. That’s How I Saw The Challenge In My Head Was Like There’s This Very Texas Lyric And This Very Chicago Concept. Fortunately Candyman Already Does That For You. It’s Already About The Legacy Of Slavery In This Country. So I Just Got To Lean Into Those Things.” From The Apple Music Track-By-Track
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Biography - Clipping.
Clipping. Is A Rap Trio From Los Angeles Formed In 2010 By William Hutson Rale Film Soundtrack Composer Jonathan Snipes Ex-Captain Ahab And Vocalist Daveed Diggs. Lyrically Clipping.’s Music Attempts To Reshuffle And Repeat Accepted Rap Scenarios While Eliminating A Traditional Single-Point Perspective. Diggs’s Writing Is Heavily Citational Like A Rough-Edged Collage Gluing Together Half-Glimpsed Images And Misremembered References Many Of Which Might Feel Familiar And Some Of Which Assuredly Do Not. But Even While He Consumes And Regurgitates Established Styles His Self-Erasure Is Incomplete Diggs’s Dense Often Motormouthed Flow Remains Wholly His Own. Individually The Members Are Known Outside Of The Group For Their Extra-Curricular Artistic Projects. Diggs Is A Stage Actor While Snipes Composes Music For Film And Hutson Is An Established Noise Music Artist. Snipes And Hutson Have Collaborated On Many Projects Including The Score To The Documentary Room 237 Which Was Released By IFC In 2013. In February 2013 Clipping. Released Their Debut Album Midcity On Their Website. The Project Was Created Entirely In-House With The Trio Writing Producing Engineering Mixing And Mastering All Of The Material Themselves. There Was No Budget No Outside Promotion No Hype-Machine No Blog Or Label Interest. In Fact Clipping. Had No Expectation That Anyone Would Bother Listening To The Album Let Alone Enjoy It. Nevertheless Reactions Were Largely Positive— Despite The Uncompromising Nature Of The Production And Its Obfuscatory Lyrical Content— And Within Five Month’s Of Midcity’s Release Clipping. Signed A Deal With Sub Pop Records. CLPPNG The Band’s Label Debut Was Written And Recorded Between February And October Of 2013. Highly Well-Received CLPPNG Is An Album That Demonstrates The Variety Of Sounds Available When The ‘rules’ Of A Genre Are Willfully Questioned. Http //www.Itsclippingbitch.Com
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16 Artistes Similaires à Clipping. - Frogtoon Musique
Injury Reserve Death Grips Danny Brown JPEGMAFIA Dälek Run The Jewels Open Mike Eagle El-P Aesop Rock HO99O9 Shabazz Palaces Lil Ugly Mane Bedwetter Busdriver Billy Woods Armand Hammer.
”Say the Name”, released on August 26, 2020, is the lead single from clipping.’s 2020 album Visions of Bodies Being Burned, the second half of the horrorcore-homage diptych which began with 2019’s There Existed An Addiction to Blood. Like the songs of the preceding album, Say the Name views the elements and themes of 90s horror films and horrorcore through an “antiracist, antipatriarchal, anticolonial” lens, to “address the struggles of our current era.”
This song refers to the urban legend of the Candyman, a hook-handed supernatural being who can be summoned by repeating his name in a mirror, originated by Clive Barker’s 1985 short story, The Forbidden, and further expounded upon in the 1990s Candyman horror film series. The official album release of Visions of Bodies Being Burned describes him as “a certain mirror-bound, bee-keeping, hook-handed former-slave/urban legend," all aspects of which are referenced throughout the song.
In the Candyman story, the eponymous character was a black painter, who has a child with a white woman and is subsequently lynched by her father. Here, clipping. expertly retells this story of racial violence and interracial love.
William Hutson: “I had always wanted to make a track using that phrase from the Geto Boys, and we had talked about doing a Dance Mania Chicago ghetto house track about Candyman. I always liked that idea of a slow, plodding, more dance-oriented track, using that line repeated as a hook.”
Daveed Diggs: “We had always talked about how that line is one of the scariest lines in rap music, it’s just really good writing. Scarface does that better than anybody. What we had was this very Chicago, these really specific reference points, to me, that I had to connect. That’s how I saw the challenge in my head, was like there’s this very Texas lyric and this very Chicago concept. Fortunately, Candyman already does that for you. It’s already about the legacy of slavery in this country. So I just got to lean into those things.”
From the Apple Music Track-By-Track Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.