Frogtoon Música

Drive In Saturday by David Bowie

Biografía del artista David Bowie

David Robert Jones 8 De Enero De 1947 - 10 De Enero De 2016 Más Conocido Como David Bowie Fue Un Cantante Polifacético Inclasificable Dentro De Un Solo Género Ya Que Su Música Involucra Diversos Estilos Musicales Como El Rock El Pop Y La Música Electrónica. Fue También Compositor Multiinstrumentista Productor Artista Plástico Y Actor Británico Fuertemente Influyente En Varias Generaciones. Fue Un Ícono De La Música Y Uno De Los Músicos Más Influyentes De La Música Contemporánea. Nació En Brixton Un Área De Londres Pero Creció En El Pueblo De Bromley En Kent Actualmente Parte Del Gran Londres . Su Carrera De Músico Comenzó En La Década De Los 60 Como Saxofonista Y Vocalista De Varios Grupos De Blues Uno Con Los Que Pudo Llegar A Grabar Fue The Manish Boys. Su Nombre Artístico Fue Obligado Debido A La Popularidad De Davy Jones De The Monkees. El Apellido Bowie Fue Elegido En Honor Del Famoso Personaje Del Far West Jim Bowie. Desde 1992 Estuvo Casado Con La Modelo Iman Con La Que Tuvo A Su Hija Alexandria Aunque Fue Con Angela Barnett Angie Su Anterior Mujer Con Quien Tuvo A Su Hijo Zowie Ahora Conocido Como Duncan Jones Reciente Ganador Del Premio BAFTA A Mejor Director Por Su Opera Prima "Moon". Una De Las Señas De Identidad Más Carismáticas Fue La Diferencia De Color De Su Ojo Izquierdo El Cual Fue Dañado Con Un Compás En Una Pelea En El Colegio. Es Reconocido Por Su Gran Poder De Cambio Y Adaptación En Algunos Casos Incluso Anticipadamente A Las Nuevas Tendencias Musicales Es Por Ello Que Es Conocido Por El Sobrenombre De "Camaleón".

Frogtoon Música - Información de la canción: Drive in Saturday

"Drive-In Saturday" Is A Song By English Musician David Bowie From His 1973 Album Aladdin Sane. It Was Released As A Single A Week Before The Album And Like Its Predecessor "The Jean Genie" Became A Top 3 UK Hit. Music And Lyrics
Heavily Influenced By 1950s Doo-Wop "Drive-In Saturday" Describes How The Inhabitants Of A Post-Apocalyptic World In The Future Bowie Once Said The Year Was 2033 Have Forgotten How To Make Love And Need To Watch Old Films To See How It Is Done.The Narrative Has Been Cited As An Example Of Bowie's "futuristic Nostalgia" Where The Story Is Told From The Perspective Of An Inhabitant Of The Future Looking Back In Time. Its Composition Was Inspired By Strange Lights Amidst The Barren Landscape Between Seattle Washington And Phoenix Arizona As Seen From A Train At Night On Bowie's 1972 US Tour. The Music Featured Bowie's Synthesizer And Saxophone While The Lyrics Name-Checked Mick Jagger "When People Stared In Jagger's Eyes And Scored" The Model Twiggy "She'd Sigh Like Twig The Wonder Kid" And Carl Jung "Jung The Foreman Prayed At Work" . The Reference To Jung Is Significant According To Artist Tanja Stark And Heralds The Pivotal Influence Of Jungian Depth Psychology Frameworks Upon His Career. She Suggests The Lyric "crashing Out With Sylvian" Is A Cryptic Reference To The Sylvian Fissure In The Brain Associated With Visionary And Hallucinatory Experiences. Recording And Release
Bowie Premiered The Song Live In November 1972—initially At Either Pirate's World Fort Lauderdale Florida Or Celebrity Theatre Phoenix—well Before Committing It To Tape. He Offered It For Recording To Mott The Hoople But They Turned It Down Bowie Later Saying That He Did Not Know Why They Refused It. However In His 1972 Tour Narrative Diary Of A Rock 'n' Roll Star Mott Leader Ian Hunter Appears Utterly Perplexed By The Song's Pop Complexity When Bowie Plays It To Him Writing That It Has "a Hell Of A Chord Rundown". Bowie Claimed On VH1's Storytellers That His Frustration With Mott The Hoople's Rejection Of The Song Led To His Shaving Of His Eyebrows During The Ziggy Stardust Tour An Alteration That Remained Evident In Photographs As Late As 1974. Bowie's Studio Version Recorded In New York On 9 December 1972 Was Released As A Single On 6 April 1973 One Week Ahead Of The Album And Remained In The Charts For 10 Weeks Reaching No. 3 In The UK. The B-Side "Round And Round" Was A Cover Of Chuck Berry's Track "Around And Around" A Leftover From The Ziggy Stardust Sessions. Bowie Encyclopedist Nicholas Pegg Describes "Drive-In Saturday" As "arguably The Finest Track On Aladdin Sane" As Well As "the Great Forgotten Bowie Single" Which He Attributed To The Fact That It Was Not Issued On A Greatest Hits Album Until Almost 20 Years After Its Release. Biographer David Buckley Has Called "Drive-In Saturday" And "Rebel Rebel" Bowie's "finest Glam-Era Singles". Some Commentators Have Ranked The Song Among Bowie's Finest. In The Guardian Alexis Petridis Voted It In Number 10 In His List Of Bowie's 50 Greatest Songs In 2020 Calling It A One Of Bowie's Best Singles. In Other Lists The Song Has Ranked At Number 26 24 And 79 In NME Uncut And Mojo Respectively. In A 2016 List Ranking Every Bowie Single From Worst To Best Ultimate Classic Rock Placed "Drive-In Saturday" At Number 49.

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