Leke Pahla Pahla Pyar - Musik
Leke Pahla Pahla Pyar by Shamshad Begum
Shamshad Begum
Künstlerbiographie Shamshad Begum
Shamshad Begum Born April 14 1919 Is An Indian Singer Who Was One Of The First Playback Singers In The Hindi Film Industry.
Begum Was Born In Amritsar Punjab. She Was A Big Fan Of K.L. Saigal And Watched Devdas 14 Times. She Earned 15 Rupees Per Song And Was Awarded 5 000 On The Completion Of The Contract On Xenophone A Renowned Music Recording Company. Begum Made Her Debut On Radio On Peshawar Radio In Lahore On December 16 1937 Captivating The Hearts Of Her Listeners With The Enchanting Depth Of Her Voice. Shamshad Was Very Much Conscious Of Her Not So Beautiful Face And She Never Posed For Any Pictures And Not Many People Saw Her Pictures Anywhere. Until The End Of The 1970s Nobody Knew Her Face At All Though Everybody Could Recognise Her Melodious Voice As It Was Used By The Great Maestros Like Naushad Ali And O. P. Nayyar. Even Today Her Songs From The 1950s 1960s And Early 1970s Are Popular And Continue To Be Remixed By Music Directors. Begum Sang For The All India Radio AIR Through Her Musical Group 'The Crown Imperial Theatrical Company Of Performing Arts' Set Up In Delhi. The Then AIR Lahore Helped Her Entering The World Of Movies As They Frequently Broadcast Her Songs Which Induced Music Directors To Use Her Voice For Their Films. Shamshad Also Recorded Naats And Devotional Music For A Couple Of Gramophone Recording Companies.
Her Crystal-Clear Voice Caught The Attention Of Sarangi Maestro Ustad Hussain Bakshwale Saheb Who Took Her As His Disciple. Lahore-Based Composer Ghulam Haider Used Her Voice Skillfully In Some Of His Earlier Films Like Khazanchi 1941 And Khandaan 1942 . When He Moved To Bombay In 1944 Shamshad Went With Him As A Member Of His Team Leaving Behind Her Family And Staying With Her Chacha Paternal Uncle . She Is Credited With Singing One Of The First Westernised Songs Meri Jaan...Sunday Ke Sunday By C. Ramchandra. O.P. Nayyar Describes Her Voice As That Of A "temple Bell" For Its Clarity Of Tone. Begum Became A National Rage Between The 1940s And The Late 1950s Having A Voice Different From Her Peers Like Lata Mangeshkar Asha Bhonsle Geeta Dutt And Amirbai Karnataki.
47 Ähnliche Titel:
Asha Bhosle - Achha Ji Main Haari Chalo Shamshad Begum - Kahin Pe Nigahen Kahin Pe Nishana Asha Bhosle - Abhi Na Jao Chhod Kar Lata Mangeshkar - Ajib Dastan Hai Yeh Manna Dey - Ae Mere Zohra Jabeen Mukesh - Kahin Door Jab Din Dhal Jaye Lata Mangeshkar - Likha Hai Teri Ankhon Mein Shamshad Begum - Boojh Mera Kya Naam Re Kishore Kumar - Mere Sapnon Ki Rani Kishore Kumar - Mere Samnewali Khidki Mein Mohammed Rafi - Likhe Jo Khat Tujhe Mohammed Rafi - Aye Gulbadan Geeta Dutt - Ankhon Hi Ankhon Mein Jagjit Singh - Hothon Se Chhu Lo Tum - From "Prem Geet" Geeta Dutt - Thandi Hawa Kali Ghata Mukesh - Maine Tere Liye Alka Yagnik - Kuch Kuch Hota Hai Talat Mahmood - Itna Na Mujhse Tu Pyar Badha Alka Yagnik - Agar Tum Saath Ho Manna Dey - Jeevan Se Lambe Talat Mahmood - Do Dil Dhadak Rahe Hain Suraiya - Tere Nainon Ne Chori Kiya Uttam Singh - The Dance Of Envy Suraiya - Nukta Cheen Hai Gham-E-Dil Jagjit Singh - Hoshwalon Ko Khabar Kya Usha Mangeshkar - Shalu Hirva Paach Ni Marva Miss Pooja - Second Hand Jawaani Jaspinder Narula - Tare Hain Barati Uttam Singh - Bholi Si Surat Usha Mangeshkar - God Gojari Laj Lajari C. Ramchandra - Qismat Ki Hawa Kabhi Naram Dr. Zeus - Kangna Shail Hada - Lahu Munh Lag Gaya Sangeeta - Pyar Ka Hai Bairi Naushad - Dar Na Mohabbat Karle RDB - Rafta Rafta Shubha Mudgal - Raha Dekhe O.P. Nayyar - Dekho Kasam Se Gurdas Maan - Challa Mahendra Kapoor - Lakhon Hain Yahan Dilwale Shubha Mudgal - Ali More Angana Bombay Vikings - Kya Soorat Hai Abhishek Bachchan - Right Here Right Now Bela Shende - Ardhya Raati Rishi Rich - Nahin Tere Jeha Hor Disda Dr. Zeus - KANGNA UNPLUGGED Arif Lohar - Jugni
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Biography - Shamshad Begum
Shamshad Begum Born April 14 1919 Is An Indian Singer Who Was One Of The First Playback Singers In The Hindi Film Industry.
Begum Was Born In Amritsar Punjab. She Was A Big Fan Of K.L. Saigal And Watched Devdas 14 Times. She Earned 15 Rupees Per Song And Was Awarded 5 000 On The Completion Of The Contract On Xenophone A Renowned Music Recording Company. Begum Made Her Debut On Radio On Peshawar Radio In Lahore On December 16 1937 Captivating The Hearts Of Her Listeners With The Enchanting Depth Of Her Voice. Shamshad Was Very Much Conscious Of Her Not So Beautiful Face And She Never Posed For Any Pictures And Not Many People Saw Her Pictures Anywhere. Until The End Of The 1970s Nobody Knew Her Face At All Though Everybody Could Recognise Her Melodious Voice As It Was Used By The Great Maestros Like Naushad Ali And O. P. Nayyar. Even Today Her Songs From The 1950s 1960s And Early 1970s Are Popular And Continue To Be Remixed By Music Directors. Begum Sang For The All India Radio AIR Through Her Musical Group 'The Crown Imperial Theatrical Company Of Performing Arts' Set Up In Delhi. The Then AIR Lahore Helped Her Entering The World Of Movies As They Frequently Broadcast Her Songs Which Induced Music Directors To Use Her Voice For Their Films. Shamshad Also Recorded Naats And Devotional Music For A Couple Of Gramophone Recording Companies.
Her Crystal-Clear Voice Caught The Attention Of Sarangi Maestro Ustad Hussain Bakshwale Saheb Who Took Her As His Disciple. Lahore-Based Composer Ghulam Haider Used Her Voice Skillfully In Some Of His Earlier Films Like Khazanchi 1941 And Khandaan 1942 . When He Moved To Bombay In 1944 Shamshad Went With Him As A Member Of His Team Leaving Behind Her Family And Staying With Her Chacha Paternal Uncle . She Is Credited With Singing One Of The First Westernised Songs Meri Jaan...Sunday Ke Sunday By C. Ramchandra. O.P. Nayyar Describes Her Voice As That Of A "temple Bell" For Its Clarity Of Tone. Begum Became A National Rage Between The 1940s And The Late 1950s Having A Voice Different From Her Peers Like Lata Mangeshkar Asha Bhonsle Geeta Dutt And Amirbai Karnataki. read less
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Begum Was Born In Amritsar Punjab. She Was A Big Fan Of K.L. Saigal And Watched Devdas 14 Times. She Earned 15 Rupees Per Song And Was Awarded 5 000 On The Completion Of The Contract On Xenophone A Renowned Music Recording Company. Begum Made Her Debut On Radio On Peshawar Radio In Lahore On December 16 1937 Captivating The Hearts Of Her Listeners With The Enchanting Depth Of Her Voice. Shamshad Was Very Much Conscious Of Her Not So Beautiful Face And She Never Posed For Any Pictures And Not Many People Saw Her Pictures Anywhere. Until The End Of The 1970s Nobody Knew Her Face At All Though Everybody Could Recognise Her Melodious Voice As It Was Used By The Great Maestros Like Naushad Ali And O. P. Nayyar. Even Today Her Songs From The 1950s 1960s And Early 1970s Are Popular And Continue To Be Remixed By Music Directors. Begum Sang For The All India Radio AIR Through Her Musical Group 'The Crown Imperial Theatrical Company Of Performing Arts' Set Up In Delhi. The Then AIR Lahore Helped Her Entering The World Of Movies As They Frequently Broadcast Her Songs Which Induced Music Directors To Use Her Voice For Their Films. Shamshad Also Recorded Naats And Devotional Music For A Couple Of Gramophone Recording Companies.
Her Crystal-Clear Voice Caught The Attention Of Sarangi Maestro Ustad Hussain Bakshwale Saheb Who Took Her As His Disciple. Lahore-Based Composer Ghulam Haider Used Her Voice Skillfully In Some Of His Earlier Films Like Khazanchi 1941 And Khandaan 1942 . When He Moved To Bombay In 1944 Shamshad Went With Him As A Member Of His Team Leaving Behind Her Family And Staying With Her Chacha Paternal Uncle . She Is Credited With Singing One Of The First Westernised Songs Meri Jaan...Sunday Ke Sunday By C. Ramchandra. O.P. Nayyar Describes Her Voice As That Of A "temple Bell" For Its Clarity Of Tone. Begum Became A National Rage Between The 1940s And The Late 1950s Having A Voice Different From Her Peers Like Lata Mangeshkar Asha Bhonsle Geeta Dutt And Amirbai Karnataki. read less
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