Shelob's Lair - Muziek
Shelob's Lair by Howard Shore
Howard Shore
Biografie van de kunstenaar Howard Shore
Howard Leslie Shore OC Born October 18 1946 Is A Canadian Composer Who Is Notable For His Film Scores. He Has Composed The Scores For Over 80 Films Most Notably The Scores For The Lord Of The Rings And The Hobbit Film Trilogies. He Won Three Academy Awards For His Work On The First Trilogy With One Being For The Original Song "Into The West" An Award He Shared With Eurythmics Lead Vocalist Annie Lennox And Writer/producer Fran Walsh Who Wrote The Lyrics. He Is Also A Consistent Collaborator With Director David Cronenberg Having Scored All But One Of His Films Since 1979. Shore Has Also Composed A Few Concert Works Including One Opera The Fly Based On The Plot Of Cronenberg's 1986 Film Premiered At The Théâtre Du Châtelet In Paris On July 2 2008 A Short Piece Fanfare For The Wanamaker Organ And The Philadelphia Orchestra And A Short Overture For The Swiss 21st Century Symphony Orchestra. In Addition To His Three Academy Awards Shore Has Also Won Three Golden Globe Awards And Four Grammy Awards. Howard Shore Was Born In Toronto Ontario Canada The Son Of Bernice Née Ash And Mac Shore. Shore Is Jewish. He Started Studying Music At The Age Of 8 Or 9. He Learned A Multitude Of Instruments And Began Playing In Bands At The Ages Of 13 And 14. When Shore Was 13 He Met And Became Good Friends With A Young Lorne Michaels In Summer Camp And This Friendship Would Later Be Influential In His Career. By 17 He Decided He Wanted To Pursue Music In His Adult Life Too. He Studied Music At Berklee College Of Music In Boston After Graduating From Forest Hill Collegiate Institute. From 1969 To 1972 Shore Was A Member Of The Jazz Fusion Band Lighthouse. In 1970 He Became The Music Director For Lorne Michaels And Hart Pomerantz's Short-Lived TV Program The Hart & Lorne Terrific Hour. Shore Wrote The Music For Canadian Magician Doug Henning's Magic Musical Spellbound In 1974 And From 1975 To 1980 He Was The Musical Director For Lorne Michaels' Influential Late-Night NBC Comedy Show Saturday Night Live Appearing In Many Musical Sketches Including Howard Shore And His All-Nurse Band And Dressed As A Beekeeper For A John Belushi/Dan Aykroyd Performance Of The Slim Harpo Classic "I'm A King Bee". Shore Also Suggested The Name For The Blues Brothers To Dan Aykroyd And John Belushi. Since 2004 He Has Toured The World Conducting Local Orchestras In The Performance Of His New Symphonic Arrangement Of His Highly Acclaimed Lord Of The Rings Scores. The New Work Is Entitled The Lord Of The Rings Symphony In Six Movements. There Are Two Movements For Each Of The Movies And An Intermission Between The Second And Third Or First And Second Film Titles Movements. The Concert Presentation Of The Symphony Also Includes Projected Still Images Of Sketches By John Howe And Alan Lee Relating The Music Being Performed To Scenes From The Films. Recently However Shore Has Been Busy With Other Projects Leaving Other Conductors Including Markus Huber Ludwig Wicki Alexander Mickelthwaite And John Mauceri To Lead The Orchestras. April 24 2008 Marked The North American Live To Projection Debut Of Fellowship Of The Ring With The Score Performed Live By The Winnipeg Symphony Orchestra Conducted By Ludwig Wicki. Wicki Also Conducted The Filene Center Orchestra At The Wolf Trap Farm Park In Vienna Virginia On May 21 And 22 2008 In The U.S. Premiere Of The Fellowship Of The Ring Live To Projection. September 16 2010 Shore Conducted The RSO Vienna Vienna Radio Symphony Orchestra Which Performed "In Dreams From The Fellowship Of The Ring" At Hollywood In Vienna In Vienna Austria. Shore Was Commissioned By Macy's To Write A Fanfare For The Store's 150th Anniversary Featuring The Philadelphia Orchestra And The Wanamaker Organ The World's Largest Playing Pipe Organ. The Work Was Debuted In The Grand Court Of Macy's Philadelphia Store On September 27 2008 In A Concert That Drew Reviews From Most Of The Major East Coast Newspapers. Shore's Opera The Fly Had Its World Premiere Performance At The Théâtre Du Châtelet In Paris On July 2 2008 And Its United States Premiere At Los Angeles Opera On September 7 2008. The Production Was Directed By David Cronenberg And Conducted By Plácido Domingo. The Fly Had A New Production Mounted By Theatre Trier In Germany In 2014 Staged By Sebastian Welker And Conducted By Joongbae Jee. Shore Was Commissioned By The Beijing Music Festival To Write Ruin And Memory A Piano Concerto For Renowned Pianist Lang Lang. The World Premiere Was On October 11 2010 Performed By Lang Lang The China Philharmonic Orchestra And Conducted By Long Yu. His Second Concerto Mythic Gardens Premiered April 27 2012 With Sophie Shao On Cello Solo The American Symphony Orchestra And Conducted By Leon Botstein. Shore's Song Cycle A Palace Upon The Ruins Premiered In 2014 At The Bridgehampton Chamber Music Festival And At The La Jolla SummerFest Featuring Mezzo-Soprano Jennifer Johnson Cano. A Palace Upon The Ruins Is A Song Cycle Of Six Songs With Words By Elizabeth Cotnoir. Sea To Sea Was Commissioned By New Brunswick Youth Orchestra In Celebration Of Canada’s 150th Anniversary Of Confederation And Premiered On July 2 2017 In Moncton New Brunswick With Soloist Measha Brueggergosman And Antonio Delgado Conducting. Sea To Sea Has Lyrics By Elizabeth Cotnoir. The Song Cycle L’Aube Premiered October 19 & 20 2017 In Toronto At Roy Thompson Hall Conducted By Peter Oundjian And Performed By Soloist Susan Platts And Commissioning Orchestra The Toronto Symphony Orchestra. L’Aube Consists Of Five Songs With Text By Elizabeth Cotnoir. The Forest A Guitar Concerto Composed For Miloš Karadaglić Will Premiere In Ottawa On May 1 & 2 2019 With The National Arts Centre Orchestra And Alexander Shelley Conducting. In Addition To Writing The Original Theme Song For Saturday Night Live As Well As The Closing Theme Shore Also Co-Wrote The Theme Song For Late Night With Conan O'Brien With John Lurie. The Theme Was Carried Over To The Tonight Show When O'Brien Succeeded Jay Leno As Host. Shore Narrated A One-Hour CBC Radio Documentary/soundscape On Music In Thriller/suspense Film Genres Also Including References To Radio Dramas And Other Media. The Episode Was Called "Unsettling Scores" And Premiered On The Program Called Inside The Music. Shore Is Married To Elizabeth Cotnoir A Writer Producer And Documentary Filmmaker. He Has A Daughter Mae. 35 He Is The Uncle Of Film Composer Ryan Shore. As Of 2004 Shore Lives In Tuxedo Park New York.
Frogtoon Muziek - Nummerinformatie: Shelob's Lair
Howard-Shore - The Lord Of The Rings: The Return Of The King: The Complete Recordings
Now Alone Frodo Follows Gollum’s Lead. He Is Beckoned To Enter The Dank Mouth Of A Tunnel. Hesitant He Falters But Gollum Prods Him. “Go In Or Go Back.” Shore’s Music Here Is Unusually Dissonant Seemingly Free Of The Tones That Have Thus Far Painted Middle-Earth. Something Is Very Wrong. The Orchestra Moves In Opposing Directions The Linear Counterpoint Thickening Into A Complex Web. A Chromatic Eight-Note Motive In Bassoon And Low Strings Falls Striking An Oddly Regular Rhythmic Profile. Frodo Is Surrounded By Death. The Moldering Carcasses Of Birds And Orcs Hang From The Ceiling Bone Fragments Litter The Ground. Frodo Darts Away As A Slew Of Sixteenth Notes Scramble Through The Orchestra. Outside Sam Descends The Stairs. He Still Sobs And Is Backed By A Chromatically Altered Evil Times. He Loses His Footing And Falls Down The Steps Landing By The Lembas Bread That Gollum Tossed Aside. He Looks To The Top Of The Stairs The Strings’ Scrambling Sixteenths Returning. Now In A Full Panic Frodo Wildly Searches The Web-Encrusted Tunnel For An Exit. But The More He Struggles To Depart The Deeper In He Seems To Find Himself. The Orchestra’s Strings Frantically Bowing Frodo Flails In The Dark Until He Finds Himself Ensnared In Web. He Remembers The Light Of Eärendil The Phial Galadriel Gave Him So Long Ago Hearing Her Words In His Head “May It Be A Light For You In Dark Places Where All Other Lights Go Out.” Celli And Basses Sing Lothlórien A Theme That Was At One Time So Foreign So Exotic And Dangerous But Is Now A Welcome Friend And Ally. But The Warmth Is Short Lived And The End Of The Melody Shoots Up In A Noisome Portamento. The Light Has Exposed What Lurks Behind Frodo—Shelob! The Orchestra Wriggles Contrapuntal Fragments Entwining And Disengaging Independently. The Beast Rears Hungry To Feast Upon Frodo But Warded Off By The Light. Frodo Darts Down A Narrow Corridor Thinking He Has Evaded Shelob Who Is Too Large To Follow. The Orchestra Charges Variations On The Stepwise Opening Of The Seduction Theme Playing In Fitful Bursts Not Unlike The Music Heard In Moria. But Its Forward Momentum Runs Aground Restrained By Jittering Twitters And Dissonant Swells. Frodo Is Caught Suspended In An Enormous Web. The Eight-Note Phrase Returns. Shelob Has Come To Claim Her Prize. With A Static Trill Gollum Pops Up From Behind A Boulder Taunting Frodo Finally Revealing That Yes He Is More Than Ready To See The Hobbit Dead. The Eight-Note Theme Sounds Again This Time Clearer. Shelob Approaches. Frodo Slices At The Web With Sting Hobbity Rhythms Singing Sour Dissonances Behind Him—as If The Hobbits’ Antics Figure Were Spoiled Into A Desperate Action Motif. At The Last Minute Frodo Is Able To Escape Leaving Behind His Sword In The Process. But As Soon As He Is Out Of Shelob’s Range Gollum’s Spindly Form Tackles Him. Low Brass Chords Are Speared With Individual Pitches Doubled In Octaves As Gollum Tries Wildly To Snatch The Ring From Around Frodo’s Neck. But Driven By The Ring Frodo Protects It With An Equal Fervor. He Turns The Tables On Gollum Taking The Offensive Beating Him Down To The Ground. The Music Is Unchanged. Be They Instigated By A Villain Or A Hero The Violent Actions Dictated By The Ring Are Equally Awful. In A Harsh Trill Of Woodwinds And Strings Frodo Remembers Himself. The Six-Note Version Of The Evil Of The Ring Sounds Distantly As He Falls Back Off Gollum. He Cannot Kill This Wretch. But Gollum Has No Such Qualms. Frodo Tells Him He Plans To Destroy The Ring. The Low End Of The Orchestra Shudders As String Lines Amass Above Again Suggesting Evil. Gollum Throws Himself Murderously At Frodo But Topples Over Him And Down The Side Of A Cliff. Cor Anglais Sounds Evil’s Six-Note Theme One More Time As Gollum Plummets Down Into Darkness. Frodo Is Overwhelmed With Exhaustion. He Drops But Just As He Hits The Ground Experiences A Vision. He Is Back In Lothlórien. Flutes Play With The Clean Bright Open Fifth Intervals Of Elvenkind Soon To Be Joined By Wordless Female Chorus. A Glowing Figure Draped In White Appears As The Cor Returns Galadriel’s Theme To The Lord Of The Rings For The Final Time. She Offers Frodo Her Hand And With A Sudden Slight Crescendo Lifts Him Back To His Feet. C The Annotated Score The Music Of The Lord Of The Rings Films
48 Vergelijkbare nummers:
Howard Shore - Ash And Smoke Howard Shore - Hope Fails Thomas Newman - 1917 Hans Zimmer - Half Remembered Dream Thomas Newman - Shawshank Prison - Stoic Theme Trevor Morris - Ragnar Dreams Of Home Rupert Gregson-Williams - Pretty Corny Klaus Badelt - The Emperor Is Dead John Williams - Fluffy's Harp John Williams - Yoda's Theme Rupert Gregson-Williams - One Man At A Time Klaus Badelt - Reunion Stephen Warbeck - Alone Nicholas Hooper - Snape & The Unbreakable Vow John Barry - The John Dunbar Theme From "Dances With Wolves" James Newton Howard - Molossus James Horner - Rose Stephen Warbeck - The Pepper Story John Powell - Dragon Battle John Powell - With Love Comes Loss Arr. For Piano Solo Ilan Eshkeri - The Way Of The Ghost Nicholas Hooper - The Sacking Of Trelawny Harald Kloser - Sam! John Debney - A New Mia - Score Trevor Jones - Top Of The World Ilan Eshkeri - Eshkeri: Septimus Harry Gregson-Williams - Only The Beginning Of The Adventure Geoff Zanelli - My Name Is Barbossa Trevor Jones - Massacre James Horner - Never An Absolution Bear McCreary - Letting Go Clinton Shorter - When I Sail Bear McCreary - A Son's Path James Newton Howard - Malcolm's Story / Cole's Secret Harry Gregson-Williams - Better Man Jerry Goldsmith - The Mirror Michael Giacchino - Main Title David Arnold - Aslan Appears Harald Kloser - Burning Books Jerry Goldsmith - Lateral Run Michael Giacchino - Head To Heart Conversation Alan Silvestri - End Credits Randy Edelman - To The Stars - Dragonheart/Soundtrack Version David Arnold - Fall Of A House In Venice Alan Silvestri - Ling Ting Ring Unused Source Cue Hans Zimmer & James Newton Howard - A Little Push John Barry - Farewell / End Title Clinton Shorter - The Expanse Theme
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Biography - Howard Shore
Howard Leslie Shore OC Born October 18 1946 Is A Canadian Composer Who Is Notable For His Film Scores. He Has Composed The Scores For Over 80 Films Most Notably The Scores For The Lord Of The Rings And The Hobbit Film Trilogies. He Won Three Academy Awards For His Work On The First Trilogy With One Being For The Original Song "Into The West" An Award He Shared With Eurythmics Lead Vocalist Annie Lennox And Writer/producer Fran Walsh Who Wrote The Lyrics. He Is Also A Consistent Collaborator With Director David Cronenberg Having Scored All But One Of His Films Since 1979. Shore Has Also Composed A Few Concert Works Including One Opera The Fly Based On The Plot Of Cronenberg's 1986 Film Premiered At The Théâtre Du Châtelet In Paris On July 2 2008 A Short Piece Fanfare For The Wanamaker Organ And The Philadelphia Orchestra And A Short Overture For The Swiss 21st Century Symphony Orchestra. In Addition To His Three Academy Awards Shore Has Also Won Three Golden Globe Awards And Four Grammy Awards. Howard Shore Was Born In Toronto Ontario Canada The Son Of Bernice Née Ash And Mac Shore. Shore Is Jewish. He Started Studying Music At The Age Of 8 Or 9. He Learned A Multitude Of Instruments And Began Playing In Bands At The Ages Of 13 And 14. When Shore Was 13 He Met And Became Good Friends With A Young Lorne Michaels In Summer Camp And This Friendship Would Later Be Influential In His Career. By 17 He Decided He Wanted To Pursue Music In His Adult Life Too. He Studied Music At Berklee College Of Music In Boston After Graduating From Forest Hill Collegiate Institute. From 1969 To 1972 Shore Was A Member Of The Jazz Fusion Band Lighthouse. In 1970 He Became The Music Director For Lorne Michaels And Hart Pomerantz's Short-Lived TV Program The Hart & Lorne Terrific Hour. Shore Wrote The Music For Canadian Magician Doug Henning's Magic Musical Spellbound In 1974 And From 1975 To 1980 He Was The Musical Director For Lorne Michaels' Influential Late-Night NBC Comedy Show Saturday Night Live Appearing In Many Musical Sketches Including Howard Shore And His All-Nurse Band And Dressed As A Beekeeper For A John Belushi/Dan Aykroyd Performance Of The Slim Harpo Classic "I'm A King Bee". Shore Also Suggested The Name For The Blues Brothers To Dan Aykroyd And John Belushi. Since 2004 He Has Toured The World Conducting Local Orchestras In The Performance Of His New Symphonic Arrangement Of His Highly Acclaimed Lord Of The Rings Scores. The New Work Is Entitled The Lord Of The Rings Symphony In Six Movements. There Are Two Movements For Each Of The Movies And An Intermission Between The Second And Third Or First And Second Film Titles Movements. The Concert Presentation Of The Symphony Also Includes Projected Still Images Of Sketches By John Howe And Alan Lee Relating The Music Being Performed To Scenes From The Films. Recently However Shore Has Been Busy With Other Projects Leaving Other Conductors Including Markus Huber Ludwig Wicki Alexander Mickelthwaite And John Mauceri To Lead The Orchestras. April 24 2008 Marked The North American Live To Projection Debut Of Fellowship Of The Ring With The Score Performed Live By The Winnipeg Symphony Orchestra Conducted By Ludwig Wicki. Wicki Also Conducted The Filene Center Orchestra At The Wolf Trap Farm Park In Vienna Virginia On May 21 And 22 2008 In The U.S. Premiere Of The Fellowship Of The Ring Live To Projection. September 16 2010 Shore Conducted The RSO Vienna Vienna Radio Symphony Orchestra Which Performed "In Dreams From The Fellowship Of The Ring" At Hollywood In Vienna In Vienna Austria. Shore Was Commissioned By Macy's To Write A Fanfare For The Store's 150th Anniversary Featuring The Philadelphia Orchestra And The Wanamaker Organ The World's Largest Playing Pipe Organ. The Work Was Debuted In The Grand Court Of Macy's Philadelphia Store On September 27 2008 In A Concert That Drew Reviews From Most Of The Major East Coast Newspapers. Shore's Opera The Fly Had Its World Premiere Performance At The Théâtre Du Châtelet In Paris On July 2 2008 And Its United States Premiere At Los Angeles Opera On September 7 2008. The Production Was Directed By David Cronenberg And Conducted By Plácido Domingo. The Fly Had A New Production Mounted By Theatre Trier In Germany In 2014 Staged By Sebastian Welker And Conducted By Joongbae Jee. Shore Was Commissioned By The Beijing Music Festival To Write Ruin And Memory A Piano Concerto For Renowned Pianist Lang Lang. The World Premiere Was On October 11 2010 Performed By Lang Lang The China Philharmonic Orchestra And Conducted By Long Yu. His Second Concerto Mythic Gardens Premiered April 27 2012 With Sophie Shao On Cello Solo The American Symphony Orchestra And Conducted By Leon Botstein. Shore's Song Cycle A Palace Upon The Ruins Premiered In 2014 At The Bridgehampton Chamber Music Festival And At The La Jolla SummerFest Featuring Mezzo-Soprano Jennifer Johnson Cano. A Palace Upon The Ruins Is A Song Cycle Of Six Songs With Words By Elizabeth Cotnoir. Sea To Sea Was Commissioned By New Brunswick Youth Orchestra In Celebration Of Canada’s 150th Anniversary Of Confederation And Premiered On July 2 2017 In Moncton New Brunswick With Soloist Measha Brueggergosman And Antonio Delgado Conducting. Sea To Sea Has Lyrics By Elizabeth Cotnoir. The Song Cycle L’Aube Premiered October 19 & 20 2017 In Toronto At Roy Thompson Hall Conducted By Peter Oundjian And Performed By Soloist Susan Platts And Commissioning Orchestra The Toronto Symphony Orchestra. L’Aube Consists Of Five Songs With Text By Elizabeth Cotnoir. The Forest A Guitar Concerto Composed For Miloš Karadaglić Will Premiere In Ottawa On May 1 & 2 2019 With The National Arts Centre Orchestra And Alexander Shelley Conducting. In Addition To Writing The Original Theme Song For Saturday Night Live As Well As The Closing Theme Shore Also Co-Wrote The Theme Song For Late Night With Conan O'Brien With John Lurie. The Theme Was Carried Over To The Tonight Show When O'Brien Succeeded Jay Leno As Host. Shore Narrated A One-Hour CBC Radio Documentary/soundscape On Music In Thriller/suspense Film Genres Also Including References To Radio Dramas And Other Media. The Episode Was Called "Unsettling Scores" And Premiered On The Program Called Inside The Music. Shore Is Married To Elizabeth Cotnoir A Writer Producer And Documentary Filmmaker. He Has A Daughter Mae. 35 He Is The Uncle Of Film Composer Ryan Shore. As Of 2004 Shore Lives In Tuxedo Park New York.
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16 Vergelijkbare artiesten als Howard Shore - Frogtoon Muziek
Hans Zimmer John Williams Bear McCreary James Horner Harry Gregson-Williams James Newton Howard Ramin Djawadi The Dwarf Cast Klaus Badelt Billy Boyd Michael Giacchino Alan Silvestri Nicholas Hooper Jerry Goldsmith Jeremy Soule Patrick Doyle.
Now alone, Frodo follows Gollum’s lead. He is beckoned to enter the dank mouth of a tunnel. Hesitant, he falters, but Gollum prods him. “Go in, or go back.” Shore’s music here is unusually dissonant, seemingly free of the tones that have thus far painted Middle-earth. Something is very wrong. The orchestra moves in opposing directions, the linear counterpoint thickening into a complex web. A chromatic eight-note motive in bassoon and low strings falls, striking an oddly regular rhythmic profile. Frodo is surrounded by death. The moldering carcasses of birds and Orcs hang from the ceiling; bone fragments litter the ground. Frodo darts away as a slew of sixteenth notes scramble through the orchestra.
Outside, Sam descends the stairs. He still sobs, and is backed by a chromatically altered Evil Times. He loses his footing and falls down the steps, landing by the lembas bread that Gollum tossed aside. He looks to the top of the stairs, the strings’ scrambling sixteenths returning.
Now in a full panic, Frodo wildly searches the web-encrusted tunnel for an exit. But the more he struggles to depart, the deeper in he seems to find himself. The orchestra’s strings frantically bowing, Frodo flails in the dark until he finds himself ensnared in web. He remembers the Light of Eärendil, the phial Galadriel gave him so long ago, hearing her words in his head, “May it be a light for you in dark places, where all other lights go out.” Celli and basses sing Lothlórien, a theme that was at one time so foreign, so exotic and dangerous, but is now a welcome friend and ally. But the warmth is short lived, and the end of the melody shoots up in a noisome portamento. The light has exposed what lurks behind Frodo—Shelob!
The orchestra wriggles, contrapuntal fragments entwining and disengaging independently. The beast rears, hungry to feast upon Frodo, but warded off by the light. Frodo darts down a narrow corridor, thinking he has evaded Shelob, who is too large to follow. The orchestra charges, variations on the stepwise opening of the Seduction theme playing in fitful bursts, not unlike the music heard in Moria. But its forward momentum runs aground, restrained by jittering twitters and dissonant swells. Frodo is caught, suspended in an enormous web. The eight-note phrase returns. Shelob has come to claim her prize.
With a static trill, Gollum pops up from behind a boulder, taunting Frodo, finally revealing that, yes, he is more than ready to see the hobbit dead. The eight-note theme sounds again, this time clearer. Shelob approaches. Frodo slices at the web with Sting, hobbity rhythms singing sour dissonances behind him—as if the Hobbits’ Antics figure were spoiled into a desperate action motif. At the last minute, Frodo is able to escape, leaving behind his sword in the process.
But as soon as he is out of Shelob’s range, Gollum’s spindly form tackles him. Low brass chords are speared with individual pitches, doubled in octaves as Gollum tries wildly to snatch the Ring from around Frodo’s neck. But, driven by the Ring, Frodo protects it with an equal fervor. He turns the tables on Gollum, taking the offensive, beating him down to the ground. The music is unchanged. Be they instigated by a villain or a hero, the violent actions dictated by the Ring are equally awful.
In a harsh trill of woodwinds and strings, Frodo remembers himself. The six-note version of the Evil of the Ring sounds distantly as he falls back off Gollum. He cannot kill this wretch. But Gollum has no such qualms. Frodo tells him he plans to destroy the Ring. The low end of the orchestra shudders as string lines amass above, again suggesting Evil. Gollum throws himself murderously at Frodo, but topples over him and down the side of a cliff. Cor anglais sounds Evil’s six-note theme one more time as Gollum plummets down into darkness.
Frodo is overwhelmed with exhaustion. He drops but, just as he hits the ground, experiences a vision. He is back in Lothlórien. Flutes play with the clean, bright open fifth intervals of Elvenkind, soon to be joined by wordless female chorus. A glowing figure draped in white appears as the cor returns Galadriel’s theme to The Lord of the Rings for the final time. She offers Frodo her hand and, with a sudden, slight crescendo, lifts him back to his feet.
(c) The Annotated Score (The Music of The Lord of the Rings Films) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.