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The Procession Of Saints by Heisai Yasokawa's Empty Orchestra

Artist Biography For Heisai Yasokawa's Empty Orchestra

Perhaps These Three Men Are The Champions Of The "World's Longest Band Name" Competition Or Perhaps They've Been Reading Too Many Record Jackets From The Glory Days Of Prog Rock. Either Way Heisai Yasokawa's Empty Orchestra From Massachusetts Is A Concept Unto Themselves. HYEO Combines Elements Of Blistering Grindcore With Hefty Slabs Of Crust Punk Noise And 60's Psych Rock Crafting A Cacophony Of Sometimes Dark Sometimes Harmonious Tunes. Think Jimi Hendrix Defending The BatCave From A Swarm Of Angry Zombies And You Will Begin To Have An Idea Of Their Eccentric And Often Chaotic Music. The Band Cites A Wide Array Of Influences Such As Black Flag Converge And The MC5 -- Apparent In Their Intense Live Performances -- As Well As Envy From Japan Minor Threat Mind Eraser Reversal Of Man Incantation Cursed And David Bowie. HYEO Takes Their Name From Heisai's Famous Post-Hiroshima Work Entitled "100 Poems" "Nothing Is Endless And Everywhere Is The Sound
of An Empty Orchestra" This Tiny Orchestra Formed In 2007 With Then Ex-Members Of Such Notable Boston-Area Acts As The Taste Of Silver P.S. Move The Rabbit And Ravage. Originally Bassist Howie Snow Toted The Idea Of A Slam-Death Metal Act. However Guitarist Faust Eddie And Singer Rusty Had Different Motives And Soon The Original Ensemble That Included Howie And Then Drummer Erik Howard Parted Down The Middle. Gaining Drummer Mad Mike From Raw Punk Group Weapons Grade In 2008 While Simultaneously Considering The All-Too-Busy Lifestyle Of Good Friend And Replacement Bassist Chris Fittante Led The Remainer Of The Group To Go Bass-Less And Return To A More Spacious And Fine-Tuned Style Of Playing. Today HYEO Is Recording And Touring On A Warpath Of Destruction. A Proper Record Is Planned For The Near Future As Well As Some Further Modifications To Their Sound. Heisai Yasokawa's EMPTY ORCHESTRA
http //www.Myspace.Com/emptyorchestrama
http //hyeo.Find-Vtag.Com

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