Frogtoon Musique

Every Day Is Exactly The Same by Nine Inch Nails

Biographie de l'artiste pour Nine Inch Nails

Nine Inch Nails Est Un Groupe De Rock Industriel Américain Créé En 1988 Par Trent Reznor. En Réalité Nine Inch Nails Est Trent Reznor Qui Est Bien Souvent Rejoint Sur Scène Par Des Membres Plus Ou Moins Réguliers Comme Richard Patrick Filter Période Allant Jusqu'à Broken Charlie Clouser Robin Finck Danny Lohner Jerome Dillon Aaron North Josh Freese Jeordie White Aka Twiggy Ramirez Marilyn Manson Alessandro Cortini. Sa Musique Dont Les Textes Revêtent Une Grande Importance & Évidemment Très Influencé À La Base Par Les Convictions De Reznor Dont - Par Exemple - La Théorie De L'Acte Gratuit De Nietzsche Mais Aussi Plusieurs Auteurs Contemporains Se Distingue Par Un Mélange Entre Extrême Brutalité Et Extrême Fragilité. C'est La Musique De La Souffrance De La Mélancolie Et Du Spleen Symbolisée Par Des Morceaux Aussi Différents Que Wish Sur L'album Broken Closer March Of The Pigs Et Hurt Sur L'album Downward Spiral Ruiner Bien Sûr Ou Encore La Mer Sur L'album The Fragile. L'album Year Zero Est Accompagné D'une Campagne De Marketing Viral Impressionnante. Le 8 Octobre 2007 Trent Reznor Annonce Sur Son Site Que Nine Inch Nails Est Devenu Un Groupe Totalement Indépendant Après 18 Ans De Majors. Il Ajoute Qu'il Vendra Bientôt Ses Albums En Ligne Autour De 4-5 Dollars. En Mars 2008 Un Nouvel Album Ghosts I-IV Est Disponible En Téléchargement Pour 5$ Sur Http //ghosts.Nin.Com/. Deux Mois Plus Tard L'album The Slip Est Disponible En Téléchargement Gratuit Et Distribué Sous Licence Creative Commons Autorisant Le Partage En Peer-To-Peer Entre Autres . Liste Des Albums * Pretty Hate Machine
* Broken
* The Downward Spiral
* The Fragile
* With Teeth * Year Zero
* Ghosts I-IV Instrumental * The Slip Trivia Trent Reznor Est Le Mentor De Marilyn Manson.

Frogtoon Musique - Informations sur la chanson: Every Day Is Exactly the Same

"Every Day Is Exactly The Same" Is The Sixth Track On The 2005 Release With Teeth. It Seems To Be About Addiction And Overcoming It. There Are Also Possible References To George Orwell's Nineteen Eighty-Four. It Is Also Notable That The Drums Performed By Dave Grohl Are Quite Similar To The Drum Track To "My Hero" Also Performed By Grohl. In 2007 It Was Nominated For The Grammy For "Best Hard Rock Performance" But Lost It To "Woman" By Wolfmother. The Song Opens With Distant Warbled Piano Notes And Ambient Noise Before The Verse Suddenly Kicks In With Thumping Live Drums A Distorted Bassline And Reznor's Vocals. There Is Separate Electronic Percussion Syncopated With The Live Drums Deepening The Rhythm. Halfway Through The First Verse A Rapidly-Strummed Thick Guitar Enters Sweeping Along With The Driving Bassline. The Guitars Intensify In The Choruses Pounding Out The Same Single High Note As Reznor Wails Against His Own Homogeny. This Structure Remains Until The Bridge When The Bass And Guitar Suddenly Drop Out Leaving Only The Percussion And Spare Moody Piano Notes. The Entrance Of A High-Pitched Tremolo-Ing Guitar And Reznor's Scream Of "I Don't Know...What Else I Can Do!" Drive The Song Into Its Vocal-Layered Final Chorus And Eventual Echo-Laden Percussion Outro. There Were Plans For A Music Video To Be Directed By Francis Lawrence Edited By Mario Mares With Max Goldman As Director Of Photography But It Was Scrapped During Post-Production Not Long After Details About The Video Leaked To The Web. Reznor Commented On The Scrapped Video On Echoing The Sound "Regarding EDIETS There Will Be No Video Released. I Made A Mistake. The Good News Is That Mistake Has Acted As A Catalyst For Me To Rethink A Number Of Decisions Regarding The Direction And Position Of The Band I've Made And Will Be Making In The Future. The Enemies From Outside And Within Have Been Identified And I Am Back On Track." Rob Sheridan Commented Many Years Later On His Instagram Account "Since I Know Someone Will Ask About This Again I Never Saw The Discarded EDIETS Music Video. I Was On Set For The Filming The Set Looked Cool Trent Didn’t Like The Way The Video Turned Out For Whatever Reason It Was Canned. When A Musician Has Another Artist - A Director In This Case - Interpret Their Work It Doesn’t Always Turn Out The Way The Musician Envisioned It Or Doesn’t Fit The Music The Way It Should Or The Concept On Paper Doesn’t Translate To Camera Or It Was Poorly Executed Or The Lighting Is Unflattering — There Are A Million Ways It Can End Up Not Right Sometimes It’s Just Not Right These Things Happen A Lot. No One Will Ever See It No One Needs To See It The End.

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