Frogtoon Musik

Innerspeaker (Album) by Tame Impala

Künstlerbiographie Tame Impala

Tame Impala Ist Kevin Parker Der Die Songs Von Beginn An Fast Ausnahmslos Alleine Schreibt Zu Hause Alleine Aufnimmt Und Produziert. Im Gegensatz Dazu Tritt Tame Impala Nur Live Als Vier- Bzw. Fünfköpfige Band Auf. Tame Impala Besteht Unter Diesem Namen Seit 2007 Vormals The Dee Dee Dums . Die Musik Von Tame Impala Zeichnet Sich Durch Psychedelische Merkmale Aus. Nach Dem Ersten Album Innerspeaker Dessen Augenmerk Auf Gitarrensounds Lagen Kamen Im Zweiten Album Lonerism Vermehrt Synthesizer Und Weniger Gitarrensounds Zum Einsatz. Die Wohl Wichtigsten Verwendeten Effekte Sind Phaser Delay Reverb Und Fuzz Die Zum Einzigartigen Klang Beisteuern. Wichtigste Veröffentlichungen Tame Impala EP September 2008 Innerspeaker LP Mai 2010 Lonerism LP Oktober 2012 Live-Besetzung Julien Barbagallo Kam Im Laufe Des Jahres 2012 Hinzu Und Übernahm Das Schlagzeug Jay Watson Wechselte Vom Schlagzeug Zu Synthesizer Und Gitarre. Im Mai 2013 Verließ Nick Allbrook Die Band Und Wurde Durch Cam Avery The Growl Ersetzt. Aktuelle Live-Besetzung Kevin Parker Gesang Gitarre Jay Watson Synth Gitarre Davor Schlagzeug Dominic Simper Gitarre Synth Cam Avery Bass Seit Mai 2013 Vorher Nick Allbrook Julien Barbagallo Schlagzeug Seit 2012 Recording & Komposition Kevin Parker Gesang Gitarre Bass Synth Schlagzeug Vereinzelte Unterstützung Durch
Jay Watson Synth Bei Apocalypse Dreams Und Elephant Schlagzeug Bei Solitude Is Bliss Dominic Simper Bass Bei The Bold Arrow Of Time Zusätzliche Gitarre Bei Runway Houses City Clouds

START TAME IMPALA
BELIEBT TRACKS MIXE ALBEN
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Frogtoon Music -

Frogtoon Musik Album-Info: Innerspeaker

The Limpid Lysergic Swirls And Squalling Fuzz-Toned Riffs That Populate Tame Impala's Debut Clearly Owe A Hefty Heartfelt Debt To The Hazy Churn Of Late-'60s/early-'70s Psych Rock But The Members Of This Perth Threesome Are Hardly Strict Revivalists. In Comparison To Their Similarly Inspired Contemporaries They Chart A Course Somewhere Between "Dungen's" Lovingly Meticulous Replication Of Their Chosen Style And Malachai's Deconstructive Electronically Enabled Pastiche Of Same Deftly Skirting The Potential For Parodic Excess That Comes With Either Extreme. Balancing An Obvious Reverence For Their Sonic Forebears With Subtly Contemporary Production Tweaks They Make Straddling Two Disparate Eras Feel Like The Most Comfortable Effortless Thing In The World. And That Sense Of Unforced Unpretentious Ease Is Fundamental To What Makes Innerspeaker So Simply Viscerally Pleasurable There's So Much That Tame Impala Get So Wonderfully Right Here -- A Distinct But Understated Undercurrent Of Melody A Relaxed But Ever-Present Sense Of Groove A Crystal Crispness And Deliberateness To The Sound Even When It's Treated With A Healthy Dousing Of Buzz And Reverb -- Without Seeming Like They're Trying At All Hard Despite A Classic Power Trio Configuration And Relatively Limited Use Of Overdubbing The Album Frequently Feels So Sonically Massive So Thick With Ringing Guitars Walls Of Effects And Tremendous Reverberating Drums That It's Hard To Believe It's The Work Of A Mere Threesome. Kudos Are Perhaps In Order To Neo-Psych Mainstay Dave Fridmann Who Mans The Mixing Boards Here With A Relish And Restraint That Helps Make This One Of The Most Tasteful And Tasty Records On His Recent Résumé. Credit Frontman Kevin Parker's Lazily Drawled Remarkably Lennon-Esque Vocals Too Frequently Leslie'd Or Otherwise Processed Which Helps With Giving The Album An Extra Air Of Free-Floating Authenticity While Only Occasionally Giving Up Anything As Specific And Tangible As A Substantially Intelligible Lyric . It's Only Infrequently That Individual Songs Manage To Stand Out From The Surrounding Fluid Atmospheric Haze -- Typically When The Band Decides To Leave Its Hooks A Bit Of Space To Breathe As On The Chunky Chugging Closer "I Don't Really Mind" Or The Fridmann Who Mans The Mixing Boards Here With A Relish And Restraint That Helps Make This One Of The Most Tasteful And Tasty Records On His Recent Résumé. Credit Frontman Kevin Parker's Lazily Drawled Remarkably Lennon-Esque Vocals Too Frequently Leslie'd Or Otherwise Processed Which Helps With Giving The Album An Extra Air Of Free-Floating Authenticity While Only Occasionally Giving Up Anything As Specific And Tangible As A Substantially Intelligible Lyric . It's Only Infrequently That Individual Songs Manage To Stand Out From The Surrounding Fluid Atmospheric Haze -- Typically When The Band Decides To Leave Its Hooks A Bit Of Space To Breathe As On The Chunky Chugging Closer "I Don't Really Mind" Or The Crisp Snakily Phased Guitar Lick Cementing The Deliciously Poppy "Solitude Is Bliss." But The Dearth Of Standout Tracks Here Hardly Feels Like An Issue -- Indeed Innerspeaker Coasts So Beautifully On Its Blissful Billowing Waves Of Sound That Readily Discernible Hooks Almost Seem Like Gratuitous Distractions.