Frogtoon Music

Sehnaz Longa by Barbaros Erköse Ensemble

Artist Biography For Barbaros Erköse Ensemble

Led By Clarinet Virtuoso Barbaros Erköse The Barbaros Erköse Ensemble Will Present An Array Of Turkish Fasil Light Classical And Urban Music In The Driving And Fluid Improvisational Style Found Among Roman Gypsy Urban
musicians Of Turkey. Barbaros Erköse Of The Famed Erköse Musician Family Has Created A Unique Style Forged From An Interpenetration Of Turkish Traditional Style With Western-Influenced Idioms And Improvisational
performance Modes. The Roots For Such Original Synthesis Lie In His Musical Family Background And Life Experiences. In Turkey As In Other Areas Of The Balkans And Middle East Roman Musicians Generally Come From Musician Families Where
training Is Fostered As Much In The Home As With Outside Teachers And Tempered In A Variety Of Live Performance Situations. As Is The Case For Many Professional Musician Families In Western Turkey The Erköse Family Came From The Balkans. Barbaros' Grandfather Abdurrahman Played Clarinet In A Military Band In The Greek Town Of Drama. Barbaros' Father Saban Was Born In 1895 And Played Oud Ud In Turkish A Short-Necked Plucked Lute In Greece. He Later Also Became A Composer And Wrote "Ne Güzeldir Bakisin" A Sarki Turkish Light Classical Song In The Makam Mode Of Hicaz And Usul Rhythmic Mode Of Çifte Sofyan Which Was Recorded By Famed Singer Hafiz Burhan On The Columbia Label. Saban's Brother Ali Demir Was An Important Violinist In Istanbul's Turkish Radio. Barbaros' Mother Ülviye Hanim Was Also From A Musical Family Her Brother Was The Father Of Violinist Aslan Hepgür Also Of The Istanbul TRT. In The Early 1920s The Erköse Family Moved To Bursa And Settled In The Setbasi Neighborhood Where Sons Ali B.1926 Violin Selahattin B. 1929 Oud And Barbaros B. 1936 Clarinet Were Born. It Was Natural That Barbaros Would Follow In The Footsteps Of His Musical Forefathers. Barbaros' Early Musical Experience Was Eclectic And He Began By Playing With His Brothers Ali And Selahattin. He Began Playing The Clarinet At Age 12 When The Family Moved To Samsun. During This Period In Samsun He Also Studied With Remzi Bey. In 1951 He Moved With His Family To Ankara. There He Took Lessons With A Clarinetist Osman Özkabak Of The Cumhurbaskanligi Armoni Mizikasi The Military Band Of The Turkish Republic’s Presidency And Learned Western Clarinet Technique From Him. This Experience Has Greatly Affected Barbaros' Style Which Has A Sound Closer To Western Clarinet Sound And Incorporates Greater Use Of Tonguing And Staccato Techniques. During 1953-54 He Played In The Ankara Yeni Tiyatro Türk Müzik Toplulugu The Turkish Music Ensemble Of The New Theater And Participated In A Program Of Ismail Dümbüllü A Famous Orta Oyun Folk Theater Performer. Here He Played In An Ensemble Of Clarinet Trumpet And Drums Performing Below The Stage. The Ensemble Provided Music For Acrobats Dancers And Singers. The Repertoire He Performed Included Oyun Havalari Or Dance Songs For Stage Of Which Some Examples Are Included On The New Recording “Lingo Lingo” Çiftetelli Karsilama 2/4 Dance Melodies And Popular Theatrical Songs Called Kanto.
After This He Traveled To Cyprus And Performed With A Traveling Theatrical Troupe For 3 Months. He Attributes His Wide Repertoire To His Training In Musical Theaters. While In Ankara He Also Played Weddings In Ankara And Neighboring Villages Performing Instrumental And Vocal Folk Music From The Area. In 1961 He Moved To Istanbul And Passed The Radio Exam. Like Many Musicians His Family Moved To Istanbul Because Of Greater Opportunities In The Local Nightclubs And Concert Halls. At The Radio He Played With Artists Such As Mesut Cemil Bey Son Of Tanburi Cemil Bey Yorgo Bacanos Sadi Isilay Necati Tokyay Hilmi Rit Necdet Yasar And Serif Icli. During This Period He Was The First To Bring Clarinet Into The Fasil Ensemble Solo Programs. According To Barbaros Mesut Cemil Then Director At The Istanbul Radio Was Impressed With Barbaros' Sound And Thus Included It In The Solo Fasil Programs. He Also Performed With His Brothers As The Erköse Kardesler The Brothers Erköse In First Class Nightclubs Such As Tepebasi Kasablanka And Maksim Gazino. This Led To The Beginning Of His Recording Career In Which He Made Recordings With His Brothers Ali And Selahattin As The Famous Erköse Kardesler The Brothers Erköse . In These Recordings The Ensemble Presented Lively Fasil Versions Of Popular Folk And Stage Dance Melodies. While Continuing To Perform With The Istanbul TRT Barbaros Began To Receive International Recognition When He Performed In France In November 1984 As The Erköse Brothers Representing Roman Music Of Istanbul. From There The Group Toured Throughout France North Africa Finland And Holland. Due To Growing Critical Acclaim Barbaros Forged A Solo Career And Creative Fusion Projects With Musicians From Other Cultures. These Projects Include Work With Peter Pannke On His Morungen Project Several Recordings And Concerts With Tunisian Oudist Anouar Brahem And Most Recently Concerts And A Recording With African-American Jazz Musician Craig Harris And His Group The Nation Of Imagination. In Turkey He Has Retired From The TRT But Continues To Record And Give Concerts. His Own Family Continues The Professional Musician Tradition With Son Tuncay On Cello And Nephew Saban On Darbuka As Featured On The New Recording “Lingo Lingo”.

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