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Blues Masters Disc 03 Texas Blues (Album) by Mance Lipscomb

Artist Biography For Mance Lipscomb

Mance Lipscomb April 9 1895 – January 30 1976 Was An American Blues Singer Guitarist And Songster. Born Beau De Glen Lipscomb Near Navasota Texas United States He As A Youth Took The Name Of 'Mance' From A Friend Of His Oldest Brother Charlie "Mance" Being Short For Emancipation . Lipscomb Was Born April 9 1895 To An Ex-Slave Father From Alabama And A Half Native American Choctaw Mother. Lipscomb Spent Most Of His Life Working As A Tenant Farmer In Texas And Was "discovered" And Recorded By Mack McCormick And Chris Strachwitz In 1960 During The Country Blues Revival. He Released Many Albums Of Blues Ragtime Tin Pan Alley And Folk Music Most Of Them On Strachwitz' Arhoolie Label Singing And Accompanying Himself On Acoustic Guitar. He Had A "dead-Thumb" Finger-Picking Guitar Technique And An Expressive Voice. Lipscomb Often Honed His Skills By Playing In Nearby Brenham Texas With A Blind Musician Sam Rogers. His Debut Release Was Texas Songster 1960 . Lipscomb Performed Old Songs Like "Sugar Babe " The First Song He Ever Learned To Pop Numbers Like "Shine On Harvest Moon" And "It's A Long Way To Tipperary". 4 Trouble In Mind Was Recorded In 1961 And Released On A Major Label Reprise. In May 1963 Lipscomb Appeared At The First Monterey Folk Festival In California.
Unlike Many Of His Contemporaries He Did Not Record In The Early Blues Era But His Life Is Well Documented Thanks To His Autobiography I Say Me For A Parable The Oral Autobiography Of Mance Lipscomb Texas Bluesman Narrated To Glen Alyn Which Was Published Posthumously And Also A Short 1971 Documentary By Les Blank A Well Spent Life.
He Began Playing Guitar Early On And Played Regularly For Years At Local Gatherings Mostly What He Called "Saturday Night Suppers" Hosted By Someone In The Area. These Gatherings Were Hosted Regularly For A While By Himself And His Wife. The Majority Of His Musical Activity Took Place Within What He Called His "precinct" Meaning The Local Area Around Navasota Until Around 1960.
Following His "discovery" By McCormick And Strachwitz Lipscomb Became An Important Figure In The Folk Music Revival Of The 1960s. He Was A Regular Performer At Folk Festivals And Folk-Blues Clubs Around The United States Notably The Ash Grove In Los Angeles CA.
He Died In His Hometown Of Navasota In 1976 Two Years After Suffering A Stroke. A Well Spent Life 1971 . Documentary Directed By Les Blank And Skip Gerson. El Cerrito California Flower Films. Released On Video In 1979. ISBN 0-933621-09-4.
He Also Appeared In Blank's The Blues Accordin' To Lightnin' Hopkins 1970 An Annual Navasota Blues Festival Is Held In His Honor And On August 12 2011 A Bronze Sculpture Of Him Was Unveiled In Mance Lipscomb Park In Navasota. The Statue Was Sculpted By Artist Sid Henderson Of California And Weighs Almost 300 Pounds. It Portrays Lipscomb Playing His Guitar Whilst Seated On A Bench With Room For Fans To Sit Beside Him And Play Their Own Guitars "with" Him. Mance Lipscomb 1895-1976 Guitarist And Songster Was Born To Charles And Jane Lipscomb On April 9 1895 In The Brazos Bottoms Near Navasota Texas Where He Lived Most Of His Life As A Tenant Farmer.
Lipscomb Represented One Of The Last Remnants Of The Nineteenth-Century Songster Tradition Which Predated The Development Of The Blues.
Though Songsters Might Incorporate Blues Into Their Repertoires As Did Lipscomb They Performed A Wide Variety Of Material In Diverse Styles Much Of It Common To Both Black And White Traditions In The South Including Ballads Rags Dance Pieces Breakdowns Waltzes One And Two Steps Slow Drags Reels Ballin' The Jack The Buzzard Lope Hop Scop Buck And Wing Heel And Toe Polka And Popular Sacred And Secular Songs. Lipscomb Himself Insisted That He Was A Songster Not A Guitarist Or "blues Singer " Since He Played "all Kinds Of Music." His Eclectic Repertoire Has Been Reported To Have Contained 350 Pieces Spanning Two Centuries. He Likewise Took Exception When He Was Labeled A "sharecropper" Instead Of A "farmer."
Between 1905 And 1956 He Lived In An Atmosphere Of Exploitation Farming As A Tenant For A Number Of Landlords In And Around Grimes County Including The Notorious Tom Moore Subject Of A Local Topical Ballad. He Left Moore's Employ Abruptly And Went Into Hiding After He Struck A Foreman For Abusing His Mother And Wife. Lipscomb's Own Rendition Of "Tom Moore's Farm" Was Taped At His First Session In 1960 But Released Anonymously Arhoolie LP 1017 Texas Blues Volume 2 Presumably To Protect The Singer. Between 1956 And 1958 Lipscomb Lived In Houston Working For A Lumber Company During The Day And Playing At Night In Bars Where He Vied For Audiences With Texas Blues Great Sam "Lightnin'" Hopkins Qv Whom Lipscomb Had First Met In Galveston In 1938. With Compensation From An On-The-Job Accident He Returned To Navasota And Was Finally Able To Buy Some Land And Build A House Of His Own. He Was Working As Foreman Of A Highway-Mowing Crew In Grimes County When Blues Researchers Chris Strachwitz Of Arhoolie Records And Mack McCormick Of Houston Found And Recorded Him In 1960. Arhoolie Records El Cerrito California Has Released Seven Albums Of Material By Lipscomb Mance Lipscomb Texas Songster And Sharecropper Arhoolie 1001 Mance Lipscomb Volume 2 Arhoolie 1023 Mance Lipscomb Volume 3 Texas Songster In A Live Performance Arhoolie 1026 Mance Lipscomb Volumes 4 5 And 6 Arhoolie 1033 1049 And 1069 And You'll Never Find Another Man Like Mance Arhoolie 1077 . Trouble In Mind Was Released By Reprise R-2012 . Individual Pieces Are Included In Other Anthologies.

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